Phantom Thread is so stylish and picturesque and elegant and lovely, whilst being equally so complex and troublesome and murky - a contrast which is, above all else, what I loved most about it

At this point Paul Thomas Anderson is such an accomplished filmmaker that he can make even the most simplistic of premises, settings, and the most minimal of casts bloom into something startlingly memorable and beautifully peculiar

I'll need to see it again very soon