We can see Wright attempt to pull off a giallo aesthetic with his vivid neon colors, phantasmagoric ghouls, and red-soaked scenery, but his sterile direction doesn’t seem to suit this too well, and he doesn’t manage to follow through on the themes at play or give enough attention to the protagonist either and instead throws us a ridiculous, ham-fisted twist in the final act that makes everything that came before feel like one big tedious setup for a disappointing payoff.