Still very, very good. 

Han Ye-Ri’s performance should be talked about more. She’s fantastic, along with the rest of the family. Her pain and frustration stuck out on another viewing, though the film remains largely a story about a father and son. 

Emile Mosseri’s score is soaring. Just an absolutely moving and delightful score to the plight of an American family. 

Minari is wonderful.