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  • Silver Bullet

    Silver Bullet


    This review may contain spoilers. I can handle the truth.

    Incredibly earnest and very atmospheric, yet technically flawed and low-budget, 80's werewolf horror that makes up for its lack of production values and scares with character development and interpersonal drama. Corey Haim and Gary Busey give strong performances and the script, written by Stephen King and based on his own novel, rewards viewers with interesting turns and fun sequences (including a surprising motorized wheelchair vs car chase-sequence and a freaky dream sequence involving a congregation of werewolves). Sadly the film's…

  • Wonder Woman

    Wonder Woman


    This film is seriously good in not only executing what it sets out to achieve, but also having really smart instincts about what it wanted to achieve in the first place. Aside from an awkward prologue and epilogue that hints of further leery Justice League nonsense, WONDER WOMAN targets the 1930's pulp sci-fi, fantasy and comic era square in its aiming sights and obliterates it through cheeky subversion. Sure, if you want THE DARK KNIGHT then this is definitely not…

Popular reviews

  • Back to the Future

    Back to the Future


    Perfection is a term that you have to be careful with before you dare to throw it around. It implies a kind of unique, finely-tuned, high-water mark that could almost not be exceeded without significantly altering the thing that is perfect to begin with. Perfection is also timeless, something that doesn't date unless it actually gets better with age. Perfection is hard to come by...but perfection is the seminal 1980's growing-up/time-travel/sci-fi/comedy extravaganza: BACK TO THE FUTURE. Like lightning that is…

  • The Girl with the Dragon Tattoo

    The Girl with the Dragon Tattoo


    While I can totally concede that this film stands completely on the shoulders of the original movie (at times being a near shot-for-shot remake) and its self-indulgent running time of almost 3 hours can give the impression that this is a blockbuster-sized adaptation on steroids, it goes without saying that this is still David Fincher's greatest achievement since his seminal FIGHT CLUB and his most beautiful work since SE7EN. Facts alone, with all remake-politics aside, that make this a worthwhile…