A cinematographer's first movie, lacking any understanding of storytelling or pacing, possibly hindered heavily by some truly terrible editing and post-production work and undone by a poor script. An American/Japan co-production, but the bad kind of genre film for both territories. Cliche'd and irritating. Not worth it.
One of the messiest STAR WARS films since RETURN OF THE JEDI, but also one of the most emotionally resonant films since EMPIRE STRIKES BACK, THE LAST JEDI is a satisfying pick'n'mix of solid old ideas repurposed from previous franchise movies, novels, games and comic books and then stacked up against exciting new ideas that feel like an honest evolution of the universe.
To me, just like in THE FORCE AWAKENS, the flaws are in the director who doesn't command…
Perfection is a term that you have to be careful with before you dare to throw it around. It implies a kind of unique, finely-tuned, high-water mark that could almost not be exceeded without significantly altering the thing that is perfect to begin with. Perfection is also timeless, something that doesn't date unless it actually gets better with age. Perfection is hard to come by...but perfection is the seminal 1980's growing-up/time-travel/sci-fi/comedy extravaganza: BACK TO THE FUTURE. Like lightning that is…
While I can totally concede that this film stands completely on the shoulders of the original movie (at times being a near shot-for-shot remake) and its self-indulgent running time of almost 3 hours can give the impression that this is a blockbuster-sized adaptation on steroids, it goes without saying that this is still David Fincher's greatest achievement since his seminal FIGHT CLUB and his most beautiful work since SE7EN. Facts alone, with all remake-politics aside, that make this a worthwhile…