There was a lot to enjoy in Raw despite its reliance on contrived aesthetics and simple metaphors about gender and sex, especially in the excitement and relative lightness with which the body horror was portrayed that allows it to function as a comedy of twisted corporeal pleasures in spite of Ducournau's formal grasps at intellectualism, a grasp that seems to have taken center stage here to the extent that, despite frequently allotted moments of "disturbing body horror", nothing is ever…