Feels a bit experimental even if it is so short and entertaining that I feel this could be well regarded by general audiences not looking for experimental shorts.

Thrilling and striking with the orange-yellow sunset contrasting with the black silhouettes of the train platforms and buildings as the jazz piece ascends that the visceral experience made from it is rapturous and should be delightful to anyone.

Watching Daybreak Express, anchored by Ben Mankiewicz's intro, I thought of the footage I’ve…

So this is it. The last thing I saw in 2020.

It is unfortunately the last as—unbelievable it is to say right now—I was expecting to smash in three movies today but got derailed by personal issues, which has seemed to be the norm for this year.

Well enough of the sad sack stuff you don't care about.

Mark Cousins really loves Evolution.

Can’t blame him. It certainly looks interesting.

Often I found myself interested in the films I’d never…