Wonderfully fluid maneuvering of a film through the real world with a real character at its center and by - real character - I mean Dale Smith's Dale is Dale Smith. He's the type of person that couldn't be conjured no matter how much time was spent with pen to paper & even if you were somehow able to conjure this distinct personality, you would be even more hard pressed to find someone to pull it off acting-wise. The only person able to play is Dale is Dale Smith & watching Dale Smith navigate the absurdity of the gig economy is something else.
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Two Thousand Maniacs! 1964
Not sure why but this was disturbing as hell. Something about low-budget '60s ultra violence that I find very unsettling.
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The Wolf House 2018
ya fucking kidding me, right?
they went and utilized an entire house for stop-motion?
painting anything and everything?
2D interacting with 3D and vice versa?
everything being de/re/constructed at once.
this is bewilderingly good. -
The Passenger 1975
Certified Copy circa 1975 with added weapons trafficking!
Every frame is beautiful, but then again it is Antonioni. The man could make a film where the characters read the dictionary and every scene would be exquisitely framed.
Two things within this film that blew my mind:
1 - That 10 minute continuous take at the end of the film. I didn't even know I was in the midst of it until the camera broke through the bars...I, in turn, lost…
