So good that you don't even care that it doesn't make a lick of sense. None of it! The motivations, the logistics, the secrecy, the everything! Who cares, it's good times.
Julia Sarah Stone is incredible, absolutely nailing the look of someone in desperate need of sleep and rest. Every moment, I was just left hoping she could get some rest.
Great for the most part until the last 2 or so minutes & in those last 2 or so minutes...whew boy, get the fuck out, come on now. Could you imagine getting that message? God damn, I'd be miffed.
Often times certain films hold a special place in my heart, as I am sure the same can be said of almost everyone else. My memory of The Royal Tenenbaums involves a group of friends driving one hour (both ways) to Baltimore to catch it at the Charles Theater. At the time, that was the only way to see Wes Anderson’s newest film, since growing up in a small town in Pennsylvania, one did not have the opportunity to see…
If you're ready for 3 hours of floundering in filth, staggerstumbling through the muck and mire shitscape that is Akanar, swathed in an incomprehensible steamfog, perpetually rolling through the frame, enveloping everyone and everything...Medieval times as alien...future as past...cyclical oppression and barbarinism shot through documentarian-observer style with reportage style camerawork showcasing cultural and academic destitution where the townfolk administer ladlefulls of a lacquerlike substance over an endless array of noosehung bodies transforming the swaying corpses into public ornaments sparkling in…