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Hail, Caesar! 2016
First impression: in the same vein as the Coens' comedic masterpiece BURN AFTER READING, though perhaps a less controlled effort than usual (which may well be intentional). Definitely needs a second viewing.
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Sleeping with Other People 2015
A spiritual successor to WHEN HARRY MET SALLY. Alison Brie has never been better, and that's saying something.
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The Martian 2015
How is it that a 2+ hour blockbuster on interstellar survival is also one of the simplest movies of the year? While I think most of the film's goodwill stems from what it isn't (a philosophy-waxing meditation on human existence and its meaning to an uncaring universe, à la Gravity or Interstellar) than what it is (a straightforward, optimistic survivalist narrative on the indomitable nature of the human spirit), that never diminishes the satisfactions gained by watching a simple, likable astronaut use ingenuity and tenacity to find the means to inhabit an inhabitable foreign planet.
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The Duke of Burgundy 2014
The rare fetish film that refuses to fetishize. Most beautiful in its unromantic depictions of romance, but there's a notion of dread prevalent throughout the film, captured in abstract imagery and sounds but seemingly at odds with its narrative universe. What's there to be afraid of?