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  • Baby Driver

    Baby Driver

    ★★★★½

    Baby Driver is top-tier crime cinema; top-tier Edgar Wright. Undoubtedly one of his best in a filmography already run amok with greatness.

    The editing is a thing of envy for anyone interested in the craft. Not only does the plot moving along fluidly, every action cut to music is beautiful. Baby Driver is its own opera. A melange of wacky heist drama and kick-ass musical.

  • It Comes at Night

    It Comes at Night

    ★★★★

    With IT COMES AT NIGHT, Trey Edward Shults has revealed a proficiency in crafting tension and claustrophobia from contained settings. His debut feature, KRISHA, is set wholly inside a house - every room has its own allure, every interaction its own consequence. With his sophomore outing, Shults retains that aesthetic and runs wild with it.

    This film's roots are so deeply ingrained in horror that it's an insult to disregard it as anything *but* a genre film. There's been outrage…

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  • GoodFellas

    GoodFellas

    ★★★★★

    The quintessential gangster film. Scorsese at his brilliant best with a concept and subject matter that he never skips a beat with.

  • Unfriended

    Unfriended

    ★★★★

    My review:

    UNINSTALL SKYPE AND SPOTIFY. DELETE FACEBOOK.