Plug in, turn on, and cop out.
A little over two decades ago, an avant-garde filmmaking movement started by two Danish directors intended to take power back from the studio system spurred the creation of some of the first feature films to be shot digitally, all with consumer grade equipment.
A little over a decade ago, Michael Mann's Collateral paved the way for mainstream films to be shot digitally, this time using equipment far more suitable for the job.
Since 2008, the Academy Award for Best Cinematography has been awarded exclusively to films shot digitally.
None of them look better than this.