Part of the 3rd Annual Screamathon
I really should love this more than I do (let’s be clear here, I love The Beyond), but it’s all strung together by a who cares plotline and who’s where characters that, outside of the blind woman, are all pretty lackluster (yes I’m looking at you Doctor).
Still, the key moments of feverish mayhem are highlighted through a nightmarish lens that’s lucid, hazy and outright splattered, accompanied by Frizzi’s entrancing score that it’s impossible not to relish in Fulci’s brilliance as an artist.
