Reesiepie’s review published on Letterboxd:
Rewatching for my The Complete Pacino list.
After the failure of Revolution, it was 4 years before Pacino returned to the cinema screen in this ‘thriller’. I recall at the time liking Sea of Love quite a bit, but I was less interested this time around. Perhaps because I knew who the criminal was?
Or perhaps because things which seemed so normal in 1989 (singles ads in print form, making phone calls from booths on the street, and Ellen Barkin’s amazingly body-skimming wardrobe) really date this film watching it in 2017.
I’ve never been much of a Barkin fan, particularly in this film – but then, I guess she’s not supposed to appeal to me in a role like this. Her character isn’t that well developed, and flip-flops between storming off in a huff and then placidly forgiving the lies she’s been told so she can get a shag. Anyone who will just jump all over someone the first night while still feeling the need to carry a gun around because of ‘all the crazy people out there’ really needs to re-think her lifestyle choices. And fondling the vegetables in the all night grocery wearing nothing but an overcoat is probably high on the list of things to avoid.
But the highlight is most definitely the on-screen relationship between Al Pacino and John Goodman – they are great together as cops partnered-up to solve the murders, and I can imagine them continuing to do so long after the film’s story has ended.