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  • Sorry Angel

    Sorry Angel

    ★★★½

    Sorry Angel isn't as galvanic as Robin Campillo's BPM, but then galvanism isn't Christophe Honoré's end game here, at least not in the conventional sense of the term. I can count at least four quietly disarming moments off the top of my head—from the bathroom scene between Jacques (Pierre Deladonchamps) and Marco (Thomas Gonzalez) in which the latter so casually cracks wise about how AIDS has weakened his body, to the three main characters in the film lying together in…

  • Sorry to Bother You

    Sorry to Bother You

    ★★½

    Cult indie rapper Boots Riley's feature-length debut, Sorry to Bother You, is a satire about the desperation of being down and out in America when you're a person of color. Which is to say, the film knows what's real—though “real” isn't the right word to attribute to this sci-fi comedy whatsit that takes place in an alternate-reality version of Oakland where everywhere you turn is an advertisement touting Worry Free Living, a voluntary forced-labor system.

    The film's greatest gag occurs…

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  • Whiplash

    Whiplash

    ★½

    "Exhilarating," "astounding," and "electrifying" reads the quotes on the film's poster, from agents of our culture of mean. Okay, I'll give it "electrifying." Miles Teller is a mean drummer, or maybe it's the jazzy cutting that tricks one into thinking so, but the implausible scenario is pretty low-down in how it tries to milk suspense from an unbridled spectacle of human cruelty. Not even sure Damien Chazelle believes his paltry justification for J.K. Simmons's worse-than-Gordon-Ramsay shtick. Maybe someone needs to throw a director's chair at his head so we can see if he's capable of drumming up a "Casablanca."

  • Timbuktu

    Timbuktu

    ★★★★

    Do not miss this great film when it comes to a theater at a major metropolis near you at the end of the month. It has its imperfections, but they pale in significance to its elegiac sense of will. After what happened yesterday in Paris, and especially for those confused about the ties between Islam and terrorism or operating under the mistaken belief that Charlie Hebdo's provocations weren't necessary, the film's searing, lucid depiction of innocents rightfully, righteously fighting fundamentalism from within will grip you in horrified empathy.