No one of consequence
Don’t forget to select your favorite films!
A few stray thoughts:
• I love listening to David Cronenberg talk about the thematic underpinnings of his films, but I find that his work rarely lives up to his descriptions of it. Possessor, directed by his son Brandon, is more like what those descriptions would lead me to expect; its ideas about the intersections of technology and identity are neither plainly stated nor willfully obfuscated.
• Possessor is a welcome heir to the elder Cronenberg’s most interesting body horror…
When I see a new film of almost universal acclaim, sometimes I go out of my way to read the negative reviews to get a little distance from the zeitgeist. In the case of The Florida Project’s negative reviews, I saw a few patterns:
• the expected backlash against the critical consensus
• the frustration of viewers who prefer more traditional narratives
• locals objecting to the portrayal of Florida
• accusations of poverty porn
One flavor of that last…
Remember when Nirvana exploded and every major label scrambled to sign any band they could find that was even remotely similar? Well, if The Sixth Sense is Nirvana (and given how quickly M Night Shyamalan squandered whatever goodwill his breakout hit engendered, I hesitate to draw the comparison), then The Others is Bush.
The themes, tone, essential plot points, and even the color palette are all lifted directly. To its credit, this is not immediately apparent, and the way the…