Rob Weychert’s review published on Letterboxd :
A very engrossing, unromantic portrait of NYC in the twilight of punk’s first wave, a palpably grimy dystopia populated almost entirely by down-and-out scammers of various stripes. Susan Berman is extraordinary as Wren, a deeply unlikeable opportunist who nevertheless inspires empathy. Her desperate energy propels the film, whose plot is essentially a catalog of her bad decisions. Pair with Midnight Cowboy for the consummate feel-bad double feature.