jovial alchemical transmutation of the existential wanderer as tragic to comedic

the buoyant spaces of these cupolas, the faceless cameraman, the sewing of a buttonhole, and the invisible bird hunt are all elements in a sustained dialogue. the film ends with an inundation of rain, which we can hear before we see it accompanied with various paintings. the rainfall at the conclusion of the film suggests a hyperbolic metaphor for the tears of mourning and a metonymy of cyclic renewal.

an essential work of structural harmony, binary oppositions and self-reflexive form.

one of the most stimulating, beautiful, simultaneous yet sequentially fragmentary glimpses into multifaceted channels of speech, language, aesthetics, scenery, architecture, ideas and energy concocted by the greatest pianist to ever live.