Hard to tell just what the fuck is going on a lot of the time—part of that is by design, opening, closing and reopening windows all pulled from some fake operating system ether. The other part stems from its many tonal and narrative shifts, which pin it firstly as, as its tagline suggests, a 21st century take on Rear Window, which is is for about fifteen mins max before swerving its way (literally through traffic) into some insane hacker wild…
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The United States of America 2022
very cool and epic and clever (IYKYK)—its many stretches of silence/ambience/stillness had me noticing all the things going on outside the frame, inside the damn cinema, like the few poor souls who didn't realise what they'd booked a ticket to and skedaddled out around the Delaware point upon their collective realisation; or the few troopers after who had maybe realised but didn't/couldn't muster the strength to leave til Georgia; or the guy who left as soon as the shot for…
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Knight of Cups 2015
edit: it was a tiny cinema
The fact that 8 people walked out of my screening proves that Malick has still got it.
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