Casablanca except better because it's actually Rio Bravo.

The movie casts such a spell, it's tempting to overlook the care Coppola takes in locating the sadness that lies at the heart of the movie. Or maybe it's the sadness that casts the spell. There is a very deliberate coolness in the way she shows empathy to these characters without showing them any sympathy. 

Fact: Coppola is one of our great artists.

I've taken all of your criticisms into account and have determined that you're all wrong.

Like if Damien Chazelle had studied murder in college instead of jazz.