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  • Pareeksha

    Pareeksha

    Prakash Jha notably known for his social dramas, has been on a downward curve ever since Raajneeti because of his failure to spin great narratives. Even this film feels it belongs to the same, and not only that, it feels dated, in terms of how it's directed.
    It does have a great intent, but then that's with most of his films.
    Adil Hussain gives a fairly earnest, hard earned performance.

  • Yaara

    Yaara

    A film directed by Tigmanshu Dhulia, is a ball played in the court of scepticism for a viewer more so for an any avid watcher now. His past few films have been an amalgamation of his indulgence and his drive to make a great masala/pulp-y action film. Now he'd create premises and situations for characters to be in a situation for an action set piece, that is some commitment, but is it worth it as a whole?

    Bullet Raja and…

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  • Thappad

    Thappad

    ★★★★

    Anubhav Sinha in recent years, has become a flag bearer of films which try to instigate a conversation. He's not happy with the lack of empathy that people right now seem to be "okay" with.

    It'll be an understatement to say that Thappad is his best work, yet. Nobody, I mean nobody has had a career renaissance quite like Anubhav Sinha, not even Hansal Mehta.

    This film, in comparison to his previous films doesn't really care about the structure of…

  • Andhadhun

    Andhadhun

    ★★★★½

    Last few weeks have been really great for Hindi cinema in terms of quality. Films like Manmarziyaan, Pataakha, Manto and now Andhadhun are easily a part of the top 10 best films released this year if not top 5.

    It's very hard to write a review/analyse a film like this because every little bit of detail can be a potential spoiler. The film begins with a question What is life? And you get the answer then itself. This one question…