I guess some people think this is exploitative, but it and the people in it are so inspiring to me. I love Mark Borchardt’s obsession with film; how he talks excitedly about shooting on 16mm black-and-white reversal stock and then later spends months stuck at a flatbed, cutting his direct-market thriller together. Watching this at a time when everyone has an HD camera and edit suite in their pocket, it’s amazing to watch a group of people who probably have…