"All my life I've felt like I was here and somewhere else at the same time."
Two Irène Jacobs; two bodies, one identity. An allegory for alienation, a soul divided between two people, a self split between two selves. This metaphor mediated through a stylistic motif of perception, seeing through eyes, lenses, windows, glasses, cameras, bouncy balls. Even the film's own visual aesthetic is thematically self-conscious, a color palette divided equally between anxious greens, sickly yellows, and warm, welcoming reds.…