Letterboxd — Your life in film

A reality show follows the fractured events of the birth of Christ.

now available on vimeo...

HEAVENS HANDS

☼♛☼♛☼♛☼♛☼♛☼♛☼♛☼♛☼♛☼εїз Ƹ̵̡Ӝ̵̨̄Ʒεїз Ƹ̵̡Ӝ̵̨̄Ʒεїз Ƹ̵̡Ӝ̵̨̄Ʒεїз Ƹ̵̡Ӝ̵̨̄Ʒεїз Ƹ̵̡Ӝ̵♛☼♛☼♛☼♛☼♛♛☼εїз Ƹ̵̡Ӝ̵̨̄Ʒ ♛☼☼♛☼♛☼♛εїз Ƹ̵̡Ӝ̵̨̄Ʒ☼ ♛☼♛☼ ♛☼♛☼ ♛☼♛☼♛☼♛☼♛☼♛☼♛☼♛☼♛☼♛☼ ♛εїз Ƹ̵̡Ӝ̵̨̄Ʒεїз Ƹ̵̡Ӝ̵̨̄Ʒεїз Ƹ̵̡Ӝ̵̨̄Ʒ ☼♛ ☼ ♛♛☼♛☼♛ ☼♛☼εїз Ƹ̵̡Ӝ̵̨̄Ʒεїз Ƹ̵̡Ӝ̵̨̄Ʒεїз Ƹ̵̡Ӝ̵̨̄Ʒεїз Ƹ̵̡Ӝ̵̨̄Ʒεїз Ƹ̵̡Ӝ̵̨̄Ʒ♛ ☼♛☼♛ ☼♛☼♛☼♛εїз Ƹ̵̡Ӝ̵̨̄Ʒ☼♛☼♛ εїз Ƹ̵̡Ӝ̵̨̄Ʒ ☼♛☼♛☼ ♛☼♛☼ ♛☼♛☼♛☼♛☼εїз Ƹ̵̡Ӝ̵̨̄Ʒεїз Ƹ̵̡Ӝ̵̨̄Ʒεїз Ƹ̵̡Ӝ̵̨̄Ʒεїз Ƹ̵̡Ӝ̵̨̄Ʒεїз Ƹ̵̡Ӝ̵̨̄Ʒεїз Ƹ̵̡Ӝ̵̨̄Ʒεїз Ƹ̵̡Ӝ̵̨̄Ʒεїз Ƹ̵̡Ӝ̵̨̄Ʒεїз Ƹ̵̡Ӝ̵̨̄Ʒεїз Ƹ̵̡Ӝ̵̨̄Ʒ

A work of fiction that has both inspired and predicted real world events. The Richard Condon book being based on something that didn't and couldn't have happened, but it's ideas shaped new fears born from the paranoia of the Cold War (and general post-Colonizer anxiety). The 1962 film had a suspicious sense of knowing before guys like Jack Ruby & Sirhan Sirhan dropped the bottom out. The 2004 film seeks the truth by naming it's villain accurately, Corporate America. Filled with Neon Graphix + Presidential Propaganda, brainwashed killuminated super-brain hyperawareness4deep-sleep hypnogogic cyber-punk Greek Opera and Brazilian nightmares.

guess what?

archive.org/details/beachnut

Deeply altruistic, Pro-Love but Anti-Possession, Pro-Resistance, Pro-Revolution, Anti-Captivity, Pro-Earth, Anti-Colonialism. Visually expresses dysmorphia and innocence crumbling under the hooves of oppression. Magic but also love and connection ultimately liberate the unicorns and King Haggard and his castle empire crumble into the sea.

The structure does a disservice to these brilliant performances. Angela Bassett's rage is searing and legendary, and yet the film feels scattered and incomplete. On that note, I can't get certain details out of my head. The desert landscape, Whitney talking about music, Sittin' Up in My Room by Brandy, and a general sense of comfort in the warm glow of these women's presence (the essence of the film) through my VCR.

Cinema verite/violent expressionism, made with maverick bravado and audacity. At times, a literal horror movie, filled with moral ambiguities and inconsistencies. Horrors of oppression and entrapment. Sensational but beautiful, demands respect and understanding.

shattered
desperation rising
who you callin a bitch?
breaking point black point break
we ain't robbing stagecoaches, man
ride or die>paradise ending

She takes pictures that don’t look like she took them but she did take them so they do

Vindicating historical thread on individualism and patterns. Curtis is the David Attenborough of paranoiac existential dread.

Intense debut performance by Evan Adams reminded me of Mark Wahlberg in Fear meets Fred Savage in No One Would Tell.

Produced by Audrey Marrs from Bratmobile and Mocket.

money boys in big suits stare into the abyss