Sam Taylor, after a dramatic turn directing the baffling Coquette that time has not been kind to, goes back to comedy and directs probably the most enjoyable product of the very early sound era that I've seen so far. It's not amazing, believe me, but Taylor's minor additions to Shakespeare's script are surprisingly welcome, his lauded comedic instincts from the days of Harold Lloyd are back in spades, and Douglas Fairbanks is the man to take it all home.
Completely…