Letterboxd — Your life in film

With her nineteenth-century American romance, The World to Come—starring Katherine Waterston and Vanessa Kirby—screening now, director Mona Fastvold talks to Ella Kemp about the need to create images, striving for ASMR storytelling, and just how much we owe Terrence Malick.

From Zola to Kajillionaire via a drink with Jim Cummings, Dominic Corry reports on five premieres at the 2020 Sundance Film Festival.

At Sundance, Dominic Corry enters The Lodge, the latest horror from the Austrians behind Goodnight Mommy, starring Danny and Riley Keough.

Documentarian Crystal Moselle on working with the Angulo brothers and running with The Wolfpack.

We took the opportunity for a lengthy chat with The Last Black Man in San Francisco’s director Joe Talbot about his remarkable debut. The interview contains a virtual masterclass in first-time feature film development.

Gemma Gracewood looks at the most-antipated 2019 films for Letterboxd members, as well as what’s ahead for the most-watched actors in our Year in Review.

At Sundance, Dominic Corry talks with Honey Boy writer-star Shia LaBeouf about fetishizing his pain, and director Alma Har’el about making non-propaganda. 

As the 2021 film festival season kicks off, Sundance Film Festival alumni and this year’s newcomers share their best tips for at-home festival attendance.

Dominic Corry reports from Sundance on the origins of Alien, a different kind of Hollywood monster, and more documentary premieres from the fest.

Traveling from bar mitzvahs and hotel rooms to volcanoes and haunted colleges, the Letterboxd crew highlights the Sundance premieres that made the biggest impact out of the year’s first major festival.

Fresh from the Sundance Film Festival premiere of her debut feature film, Master writer-director Mariama Diallo discusses the raw realities of campus racism, the draw of dream logic, and academia’s monstrous unconscious.

The Letterboxd team selects the fifteen titles we’re most excited to see at this year’s all-virtual Sundance Film Festival.

From pandemic-era stories, via portraits of grief, to the serendipitous 1969 trilogy, the Letterboxd crew recaps our favorite films from the first major festival of the year.

From the first Twitter feature film to Steven Yeun in a tank-top, Letterboxd selects our top ten Sundance 2020 premieres.

Director Carey Williams, writer KD Dávila, and the stars of Emergency discuss tonal tightropes, positive masculinity and that final gravity-defying Jenga move.

Filmmaker Chloe Okuno on crafting everyday horrors, exerting a gaze with the camera, and directing horror queen Maika Monroe in the slow-burn thriller Watcher.

Hatching director Hanna Bergholm discusses cracking open her influencer satire to reveal the goopy creature feature within.

Pleasure filmmaker Ninja Thyberg on womanhood, ass destruction, how capital erodes empathy and the horniest Almodóvar film.

A Love Song stars Dale Dickey and Wes Studi speak with Indigenous Editor Leo Koziol about letters, songs and the bonds built into Max Walker-Silverman’s autumn romance. 

Actor John Boyega and writer Kwame Kwei-Armah on righteous generational rage, showing the humanity behind the heist in Breaking and their hopes for Black storytellers.