Thomas Yee’s review published on Letterboxd:
This is like when key grips and lighting crew and editors get together and think they can direct their own film because they have been involved with the production of films for years.
This was techniquely so good but narratively and tonally so so so disconnected.
Self masturbatory and HYPER self indulgent.
Between this and Midsommar I might as well just take an L for 2019 as a whole.