It’s all in the eyes.
They say the eyes are the windows to the soul and never has there been a film more indicative of this statement. The film lives and dies upon its actresses’ remarkable ability to tell the story with their eyes. So much of this film’s storytelling lies in the stolen glances, the prolonged stares, the one last looks between the two lead actresses. And they deliver. Adéle Haenel and Noémie Merlant have some of the most…