Much more scattershot and not as focused or as compelling/profound as the very good first film, but not without creativity due to Joanna Hogg’s direction in spite of her uneven scripting. Honor Swinton Byrne continues to impress, even if it feels like she’s not given as much to work with here. Utterly baffling that A24 mishandled the release so awfully though, so much it was quietly buried on VOD this week without them even promoting it.
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