I'm so glad that bright glowing colors have returned to horror cinema and we're not stuck in that monochromatic green or brown filtered dreariness of a decade ago when the Saw films stylistically influenced so many movies. The shaky hand-held approach that was similarly popular is also gone here, and we get some glorious visual style back in the slasher film. Addison Timlin was better in Odd Thomas, but she has a bit of a Jill Schoelen scream teen vibe that I'm digging.