جریانِ پایانناپذیرِ «شدن».
گاسپار نوئه، فیلمسازی/سینما را آنطور که به آن عشق میورزد نمایش میدهد: حرکتی قاعدهگریز/بیقانون، بهسانِ چکشی سازنده— مخرب، آکنده از سرشاریِ ساختن، جریانِ همیشگیِ «شدن» [و نه…
جریانِ پایانناپذیرِ «شدن».
گاسپار نوئه، فیلمسازی/سینما را آنطور که به آن عشق میورزد نمایش میدهد: حرکتی قاعدهگریز/بیقانون، بهسانِ چکشی سازنده— مخرب، آکنده از سرشاریِ ساختن، جریانِ همیشگیِ «شدن» [و نه…
Hou rarely actually films drama here - he rather films its consequences directly, only interior scenes, only private dwellings, who is actually pulling the strings is the strucuture everyone finds…
probably kurosawa's most expansive film - one can easily descant on the structuralist bias he's aiming for, however everything seems insufficient in comparison to the way he formally constructs each…
An essay on killing. Very good exercise on anti-mythmaking. It depicts the most famous battle of Miyamoto Musashi samurai career when he killed over 500 men in detail. It has…
It is like a Raul Ruiz film kept alll of its dream logic, but keep a straightforward shape even as it imagines all those possibles lifes to be. Monteiro made…
Nafi 6,774 films
Mark Garrett 200 films
melis_ 3,148 films
BoneSmoker 2,088 films
Mitra Shoraka 1,965 films
Oscar de la Torre Suárez 160 films
ALMA 393 films
Paul D 204 films
PPDParreira 32 films
jacobmazur 518 films