Meshes in the Afternoon, just an hour and ten minutes longer. I haven't seen a film movement of a completely different era so well replicated since The Love Witch made my Technicolor dreams come true.
Darren Aronofsky: I am shook. The complex intertwining of psychology and film studies that makes up each Aronofsky film is a formula I imagine to be as simple and yet as complex and impossible as the coveted McGuffin God number which the plot of Pi orbits around.
I love when a filmmaker discovers the perfect form of transcription from mind to movie, and this is a mind-blowing example of that.