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  • The Long Day Closes
  • Dead Poets Society
  • Body Double
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  • Raiders of the Lost Ark

    ★★★½

  • Love & Mercy

    ★★★★

  • A Dangerous Method

  • Naked Lunch

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  • Friday Night

    Friday Night

    ★★★★★

    thinking about the rolled up sleeves and stale nicotine, the arm hair peeping out at the wrist, the watches, socks, jackets, collars, the hungry desire, the gaze that makes you question everything, the translucent green eyes lowered onto lips, the kisses on the nape and fingertips on the steering wheel, the hot air and dark curls, the cuts, fades, steam, skin, the limbo, the oblivion.

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  • Naked Lunch

    Naked Lunch

    practical effects ftw

  • Eiffel

    Eiffel

    ★★½

    As a forgiveably contrived exercise of historical fiction, Eiffel may well be proof that cinema is fast running out of good ideas. But while the film’s premise seems to be scraped off the bottom of the biopic bargain bin – not everything needs a backstory, please, especially not a metal tower – there is something compelling about the film’s two leads on a sheer chemistry level. Starring Romain Duris as Gustave Eiffel, the man responsible for one of the world’s…

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  • The Scary of Sixty-First

    The Scary of Sixty-First

    ★★★★

    A schlocky giallo about the ghost of Jeffrey Epstein, self-involved QAnon-types dehumanising real victims with their bullshit, and the intoxicating, empty power of shared lies. "The important thing is that we're awake." As someone who can't get enough of bastardized pastiche, I am obviously obsessed.

  • Olla

    Olla

    wham bam thank you ham