Matt Singer’s review published on Letterboxd:
“Kong: Skull Island may be set in the early 1970s, but it’s clearly engineered for modern sensibilities. The film’s trailer drew comparisons to Apocalypse Now, but director Jordan Vogt-Roberts seems less inspired by Francis Ford Coppola’s Vietnam War film than its iconic poster of a fiery setting sun, an image Skull Island returns to over and over. Even if it bears superficial similarities to Coppola’s classic, it’s little more than A-picture gloss on a big-budget B movie. Naming one of your characters after Joseph Conrad doesn’t make your film Heart of Darkness; the only thing at this movie’s heart is the (admittedly accurate) belief that when a giant ape punches a giant lizard in the face with a boat motor it looks totally freaking awesome.”
Full review at ScreenCrush.