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  • White Men Can't Jump

    White Men Can't Jump

    ★★½

    I want to say White Men Can’t Jump is worthwhile for Rosie Perez’s character work and for the sartorial pleasures of its 90s fashion lookbook, but the film is ultimately too phony, too repetitive, and too politically awkward to enjoy for any five minute stretch without a vicious cringe interrupting your pleasure.

    Full review here.

  • Bob & Carol & Ted & Alice

    Bob & Carol & Ted & Alice

    ★★★★½

    All of the film’s promotional materials & cultural context promise a steamy, risqué drama about wife-swapping & group sex. I imagine it was something of a shock, then, when Mazurky instead delivered a drama mostly about intensive group therapy.

    Full review here.

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  • Good Time

    Good Time

    ★★★★½

    "There’s deeply uncomfortable sexual & racial context to most of the main character’s crimes, but there’s also an economic desperation in his acts of theft, kidnapping, and breaking & entering that inform his decisions to commit them. In one telling scene, he pauses to watch an episode of the 90s reality show Cops, which similarly repackaged systemic economic hardship as an entertainment commodity, only to be disgusted by the pain on display on the screen. Good Time aims to disgust & discomfort in…

  • Are We Not Cats

    Are We Not Cats

    ★★★★

    "For all its dirty Detroit soul & doom metal sound cues, colorful Quintron-esque musical contraptions, and horrific flashes of skincrawl gore, Are We Not Cats is a film ultimately about intimacy & mutual addiction. As memorable as its grotesque, psychedelic freak-outs can be, their impact is equaled if not bested by the tender melancholy of lines like 'When was the last memory you have of not being truly alone?' The details of the romance that ends that loneliness construct a body horror…