As I've become more enthralled by cinema over the years, I have cherished reading all I possibly could about my favourite hobby. A fine resource I have discovered has been 'The Motion Picture Guide' which, in 1985, came out for films 1927-1983, then they put out annual guides till about 1999. I wish they kept on making them up to the present!
This list is one of 12. There are 11, ranging by half-star increments from zero to five stars, and, inexplicably for one year, they refused to give an objectifiable rating for the films, then returned to doing so the following year. I fervently wish that when they did so, they retroactively, at least as a footnote, and to be complete, gave a star-rating for the year they had comparatively neglected.
This list of 'one-and-a-half-star' rated films represents 'poor' films, and would be comparable the 3/10 score on IMDb. One-and-a-half star films that were listed in 'The Motion Picture Guide' that WEREN'T on Letterboxd were:
--All at Sea (Anthony Kimmins, 1936)
--All at Sea (Herbert Smith, 1940)
--All That Glitters (Maclean Rogers, 1937)
--The Alluring Goal (aka 'Das lockende Ziel'; Max Reichmann, 1930)
--Almost a Gentleman (Oswald Mitchell, 1938)
--Almost a Honeymoon (Norman Lee, 1938)
--Along Came Youth (Lloyd Corrigan and Norman Z. McLeod, 1930)
--American Love (aka 'L'amour à l'américaine'; Claude Heymann and Pál Fejös, 1931)
--Anything to Declare? (aka 'Many Tanks Mr. Atkins'; Roy William Neill, 1938)
--Appassionata (Olof Molander, 1944)
--Are You a Mason? (Henry Edwards, 1934)
--The Armchair Detective (Brendan J. Stafford, 1952)
--Arthur (aka 'Beauty Cult'; Léonce Perret, 1931)
--Auld Lang Syne (George Pearson, 1929)
--Awakening of Jim Burke (Lambert Hillyer, 1935)
--Badger's Green (Adrian Brunel, 1934)
--The Barber of Stamford Hill (Caspar Wrede, 1962)
--Barberina (aka 'Die Tänzerin von Sans Souci'; Frederic Zelnik, 1932)
--Before Him All Rome Trembled (aka 'Avanti a lui tremava tutta Roma'; Carmine Gallone, 1946)
--Behind the Mike (Sidney Salkow, 1937)
--Bella Donna (Robert Milton, 1934)
--The Big Fix (James Flood, 1947)
--Big Timber (Jean Yarbrough, 1950)
--The Black Tulip (Alex Bryce, 1937)
--Blackmailer (Gordon Wiles, 1936)
--Blind Desire (aka 'La part de l'ombre'; Jean Delannoy, 1945)
--Blue Blood (Lew Landers, 1951)
--The Boiling Point (George Melford, 1932)
--Boxoffice (Josef Bogdanovich, 1982)
--The Boy from Indiana (John Rawlins, 1950)
--Bride of the Desert (Duke Worne, 1929)
--Brief Rapture (aka 'Love and Poison' or 'Amori e veleni'; Giorgio Simonelli, 1952)
--Bringing Up Father (Edward F. Cline, 1946)
--Broken English (Michie Gleason, 1981)
--The Burning Cross (Walter Colmes, 1947)
--Cadet Girl (Ray McCarey, 1941)
--Cafe Colette (aka 'Danger in Paris'; Paul L. Stein, 1937)
--Cafe Mascot (Lawrence Huntington, 1936)
--Call Me Mame (John Daumery, 1933)
--Call of the Circus (Frank O'Connor, 1930)
--Called Back (Reginald Denham and Jack Harris, 1933)
--Calling All Crooks (George Black, 1938)
--Can This Be Dixie? (George Marshall, 1936)
--Captain's Orders (Ivar Campbell, 1937)
--Cattle Raiders (Sam Nelson, 1938)
--The Cavalier of the Streets (Harold French, 1937)
--Change for a Sovereign (Maurice Elvey, 1937)
--Chartroose Caboose (William 'Red' Reynolds, 1960)
--Chelsea Story (Charles Saunders, 1951)
--Chick (Michael Hankinson, 1936)
--Chinatown Nights (Toni Frenguelli, 1938)
--The Christine Keeler Affair (aka 'The Keeler Affair'; Robert Spafford, 1963)
--The Circle of Death (J. Frank Glendon and Yakima Canutt [uncredited], 1935)
--City of Play (Denison Clift, 1929)
--The Clown and the Kids (Mende Brown, 1967)
--Cock o' the North (Oswald Mitchell and Challis Sanderson, 1935)
--Code of the Range (Charles C. Coleman, 1936)
--College Lovers (John G. Adolfi, 1930)
--Combat Squad (Cy Roth, 1953)
--The Comeback Trail (Harry Hurwitz, 1982)
--Comin' Round the Mountain (George Archainbaud, 1940)
--Compromised (John G. Adolfi, 1931)
--The Concentratin' Kid (Arthur Rosson, 1930)
--Convict's Code (Harry Revier, 1930)
--The Counterfeiters (aka 'I falsari'; Franco Rossi, 1953)
--County Fair (William Beaudine, 1950)
--Courtin' Wildcats (Jerome Storm, 1929)
--The Covered Trailer (Gus Meins, 1939)
--Cowboy in Manhattan (Frank Woodruff, 1943)
--The Crimson Candle (Bernard Mainwaring, 1934)
--Cross Channel (R.G. Springsteen, 1955)
--Cross of the Living (aka 'La croix des vivants'; Ivan Govar, 1962)
--Cross Roads (Reginald Fogwell, 1930)
--The Crowning Gift (Norman Walker, 1967)
--Cyclone Kid (J.P. McGowan, 1931)
--The Dance of Death (Gerald Blake, 1938)
--The Dancing Heart (aka 'Das tanzende Herz'; Wolfgang Liebeneiner, 1953)
--Dangerous Waters (Lambert Hillyer, 1936)
--Darby and Joan (Syd Courtenay, 1937)
--Daredevils of the Clouds (George Blair, 1948)
--Dark Streets (Frank Lloyd, 1929)
--Darkened Skies (aka 'Dark Skies'; Harry S. Webb, 1929)
--The Deadline (Lambert Hillyer, 1931)
--Death Croons the Blues (David MacDonald, 1937)
--The Deputy Drummer (Lupino Lane, 1935)
--Desert Justice (William Berke, 1936)
--The Desert Raven (Alan S. Lee, 1965)
--Desert Vengeance (Louis King, 1931)
--Designing Women (aka 'House of Cards'; Ivar Campbell, 1934)
--Desperate Decision (aka 'La jeune folle'; Yves Allégret, 1952)
--The Desperate Man (Peter Maxwell, 1959)
--The Devil's Maze (Sewell Collins and Gareth Gundrey, 1929)
--Diary of a Bad Girl (aka 'Le long des trottoirs'; Léonide Moguy, 1956)
--The Diplomatic Lover (aka 'How's Chances?'; Anthony Kimmins, 1934)
--Dishonored (aka 'Santo disonore'; Guido Brignone, 1950)
--Dizzy Dames (William Nigh, 1935)
--Don't Get Personal (Charles Lamont and William Nigh, 1936)
--Don't Say Die (Vivian Milroy, 1950)
--Doomsday at Eleven (Theodore Zichy, 1963)
--Dragon's Gold (Jack Pollexfen and Aubrey Wisberg, 1954)
--Dynamite Delaney (Joseph Rothman, 1936)
--The Early Bird (Donovan Pedelty, 1936)
--Easy Millions (Fred C. Newmeyer, 1933)
--Eli Eli (Joseph Seiden, 1940)
--Eliza Comes to Stay (Henry Edwards, 1936)
--Embarrassing Moments (Edward Laemmle, 1934)
--Escapade (Richard Thorpe, 1932)
--Escape Dangerous (Digby Smith, 1947)
--Everything in Life (J. Elder Wills, 1936)
--Expert's Opinion (Ivar Campbell, 1935)
--Exposed (Albert Herman, 1932)
--Eyes That Kill (Richard M. Grey, 1947)
--Fat Angels (aka 'Fat Chance'; Manuel Summers, 1981)
--Father and Son (Monty Banks, 1934)
--Father O'Flynn (Wilfred Noy and Walter Tennyson, 1935)
--Father's Wild Game (Herbert I. Leeds, 1950)
--The Feathered Serpent (Maclean Rogers, 1934)
--Fight for the Glory (aka 'Eiko eno kurohyo'; Hirokazu Ichimura, 1970)
--The Fighting Code (Lambert Hillyer, 1933)
--Files from Scotland Yard (Anthony Squire, 1951)
--First Offenders (Frank McDonald, 1939)
--The Five Pound Man (Albert Parker, 1937)
--Flight from Folly (Herbert Mason, 1945)
--Flight from Singapore (Dudley Birch, 1962)
--Flying Cadets (Erle C. Kenton, 1941)
--The Flying Marine (Albert S. Rogell, 1929)
--Follow That Man (Jerome Epstein, 1961)
--For Beauty's Sake (Shepard Traube, 1941)
--For You Alone (Geoffrey Faithfull, 1945)
--Foxy Lady (Ivan Reitman, 1971)
--Franchette: Les Intrigues (Don Walters, 1969)
--Free Love (Hobart Henley, 1930)
--Fresh from Paris (aka 'Paris Follies of 1956'; Leslie Goodwins, 1955)
--The Furies (Alan Crosland, 1930)
--G.I. War Brides (George Blair, 1946)
--Gallant Lady (William Beaudine, 1942)
--Galloping Dynamite (Harry L. Fraser, 1937)
--Gals, Incorporated (Leslie Goodwins, 1943)
--Gambling (Rowland V. Lee, 1934)
--Gang War (Bert Glennon, 1928)
--Gang War (Frank Marshall, 1962)
--The Gay Intruders (Ray McCarey, 1948)
--Gay Old Dog (George King, 1935)
--The Gentle People and the Quiet Land (Richard Bartlett, 1972)
--Ghost Town Riders (George Waggner, 1938)
--Gigolette (aka 'Night Club'; Charles Lamont, 1935)
--The Girl Can't Stop (aka 'Les chiens dans la nuit'; Willy Rozier, 1965)
--The Girl from Woolworth's (William Beaudine, 1929)
--The Girl Habit (Edward F. Cline, 1931)
--The Girl in the Crowd (Michael Powell, 1935)
--The Girl on the Barge (Edward Sloman, 1929)
--Girl Overboard (aka 'Port of Dreams'; Wesley Ruggles, 1929)
--Girls Please! (Jack Raymond, 1934)
--A Glimpse of Paradise (Ralph Ince, 1934)
--The Glory Trail (Lynn Shores, 1936)
--God's Country and the Man (aka 'God's Country' or 'Rose of the Rio Grande'; John P. McCarthy, 1931)
--The Gold Guitar (Hunter Todd, 1966)
--Grand Jury Secrets (James P. Hogan, 1939)
--The Great Flirtation (Ralph Murphy, 1934)
--The Great Plane Robbery (Edward L. Cahn, 1950)
--The Great Swindle (Lewis D. Collins, 1941)
--Guadalajara (Chano Urueta, 1943)
--Guard That Girl (Lambert Hillyer, 1935)
--The Guest at Steenkampskraal (aka 'The Guest: An episode in the Life of Eugène Marais'; Ross Devenish, 1977)
--Guilty? (George B. Seitz, 1930)
--Gun Law (Lewis D. Collins, 1933)
--Gun Runner (Lambert Hillyer, 1949)
--The Guns and the Fury (Tony Zarindast, 1981)
--A Guy, a Gal and a Pal (Budd Boetticher, 1945)
--A Guy Called Caesar (Frank Marshall, 1962)
--Hair of the Dog (Terry Bishop, 1962)
--Handle with Care (David Butler, 1932)
--Hangman's Wharf (Cecil H. Williamson, 1950)
--Happy Days Are Here Again (aka 'Happy Days Revue'; Norman Lee, 1936)
--Happy Deathday (Henry Cass, 1968)
--Hate in Paradise (aka 'Tea Leaves in the Wind'; Ward Wing, 1938)
--The Hate Ship (Norman Walker, 1929)
--The Haunted House (Benjamin Christensen, 1928)
--Havana Rose (William Beaudine, 1951)
--Heart of a Child (Clive Donner, 1958)
--Heat (aka '...Y el demonio creó a los hombres'; Armando Bo, 1960)
--Heaven on Earth (Robert Spafford, 1960)
--Held in Trust (Cecil H. Williamson, 1949)
--Hell Is Empty (John Ainsworth and Bernard Knowles, 1967)
--Hell-Ship Morgan (D. Ross Lederman, 1936)
--Hello Sister (Walter Lang, 1930)
--Hello, Sweetheart (Monty Banks, 1935)
--Hell's Horizon (Tom Gries, 1955)
--Her Adventurous Night (John Rawlins, 1946)
--Her Bodyguard (William Beaudine, 1933)
--Her Last Affaire (Michael Powell, 1935)
--Hidden Enemy (Howard Bretherton, 1940)
--High Seas (Denison Clift, 1929)
--High Speed (D. Ross Lederman, 1932)
--Highway Patrol (Charles C. Coleman, 1938)
--His Brother's Keeper (Roy William Neill, 1940)
--His Grace Gives Notice (Leslie S. Hiscott, 1933)
--His Lucky Day (Edward F. Cline, 1929)
--His Majesty and Co (Anthony Kimmins, 1935)
--Hold Me Tight (David Butler, 1933)
--Home on the Range (Arthur Jacobson, 1935)
--Honolulu, Tokyo, Hong Kong (Yasuki Chiba, 1963)
--Honor of the Family (Lloyd Bacon, 1931)
--Honor of the Mounted (Harry L. Fraser, 1932)
--The Horse's Mouth (aka 'The Oracle'; C.M. Pennington-Richards, 1953)
--House of Sand (Tony Zarindast, 1962)
--The Howard Case (Fraser Foulsham and Frank Richardson, 1936)
--Husband's Holiday (Robert Milton, 1931)
--I Demand Payment (Clifford Sanforth, 1938)
--I, Maureen (Janine Manatis, 1980)
--I Was a Captive of Nazi Germany (Alfred T. Mannon, 1936)
--I Will... I Will... For Now (Norman Panama, 1976)
--I'll Love You Always (Leo Bulgakov, 1935)
--I'll Stick to You (Leslie S. Hiscott, 1933)
--Idol of Paris (Leslie Arliss, 1948)
--The Improper Duchess (Harry Hughes, 1936)
--In Old California (Burton L. King, 1929)
--In Spite of Danger (Lambert Hillyer, 1935)
--In the Next Room (Edward F. Cline, 1930)
--The Inbreaker (George McCowan, 1974)
--Io...Tu...Y...Ella (aka 'Yo, tú y ella'; John Reinhardt, 1933)
--Irish and Proud of It (Donovan Pedelty, 1938)
--Irish for Luck (Arthur B. Woods, 1936)
--Is There Justice? (Stuart Paton, 1931)
--Isle of Escape (Howard Bretherton, 1930)
--It Ain't Easy (Maurice Hurley, 1972)
--It Started in the Alps (aka 'Arupusu no wakadaishô'; Kengo Furusawa, 1966)
--It's a Grand Old World (Herbert Smith, 1937)
--It's a Wonderful Day (Hal Wilson, 1949)
--It's Great to Be Young (Del Lord, 1946)
--The Jazz Cinderella (Scott Pembroke, 1930)
--Jealousy (Roy William Neill, 1934)
--Jennie (David Burton, 1940)
--Jet Job (William Beaudine, 1952)
--Jewels of Brandenburg (Eugene Forde, 1947)
--Jiggs and Maggie in Society (Edward F. Cline, 1947)
--Johansson Gets Scolded (aka 'Vår herre luggar Johansson'; Sigurd Wallén, 1945)
--Johnny Banco (Yves Allégret, 1967)
--Josser on the Farm (T. Hayes Hunter, 1934)
--Judy's Little No-No (Sherman Price, 1969)
--Jury's Evidence (Ralph Ince, 1936)
--Keep It Quiet (Leslie S. Hiscott, 1934)
--Kid Courageous (Robert N. Bradbury, 1935)
--The Kid from Santa Fe (Bernard B. Ray, 1940)
--Killer at Large (David Selman, 1936)
--King of the Castle (Redd Davis, 1936)
--King of the Gamblers (George Blair, 1948)
--King of the Ritz (Carmine Gallone and Herbert Smith, 1933)
--King of the Stallions (Edward Finney, 1942)
--The King's Cup (Alan Cobham, Robert Cullen, Donald Macardle and Herbert Wilcox, 1933)
--Knights for a Day (Aveling Ginever and Norman Lee, 1937)
--Lady Chaser (Sam Newfield, 1946)
--The Lambeth Walk (Albert de Courville, 1939)
--Lancashire Luck (Henry Cass, 1937)
--Land of the Six Guns (Bernard B. Ray, 1940)
--Las Vegas Free-for-All (aka 'Kureji ogon sakusen'; Takashi Tsuboshima and Yoshinori Wada, 1967)
--The Last Act of Martin Weston (Michael Jacot, 1970)
--The Last Curtain (David MacDonald, 1937)
--The Last Man to Hang? (Terence Fisher, 1956)
--The Last Post (Dinah Shurey, 1929)
--The Last Rose of Summer (James A. Fitzpatrick, 1937)
--Laughing in the Sunshine (aka 'Ett kungligt äventyr'; Daniel Birt, 1956)
--Law for Tombstone (W.B. Eason and Buck Jones, 1937)
--Law of the Barbary Coast (Lew Landers, 1949)
--The Lawless Woman (Richard Thorpe, 1931)
--Leap Year (Tom Walls, 1932)
--Let's Live Tonight (Victor Schertzinger, 1935)
--Let's Make a Million (Ray McCarey, 1936)
--Let's Talk It Over (Kurt Neumann, 1934)
--The Lift (Burton Krancer, 1965)
--Light Fingers (Terry Bishop, 1957)
--Lily of Laguna (Oswald Mitchell, 1938)
--The Limping Man (Walter Summers, 1936)
--The Little Adventuress (D. Ross Lederman, 1938)
--A Little Bit of Bluff (Maclean Rogers, 1935)
--Little Dolly Daydream (Oswald Mitchell, 1938)
--Little Miss Broadway (Arthur Dreifuss, 1947)
--Lone Cowboy (Paul Sloane, 1933)
--The Lone Rider (Louis King, 1930)
--The Lone Trail (Forrest Sheldon and Harry S. Webb, 1932)
--The Lone Wolf's Daughter (Albert S. Rogell, 1929)
--The Lonesome Trail (Bruce Mitchell, 1930)
--The Long, Long Trail (Arthur Rosson, 1929)
--Loose Ends (Norman Walker, 1930)
--Lord Richard in the Pantry (Walter Forde, 1930)
--The Lost Chord (Maurice Elvey, 1933)
--Lost Happiness (aka 'Felicità perduta'; Filippo Walter Ratti, 1946)
--Lost Souls (aka 'Vite perdute'; Adelchi Bianchi and Roberto Mauri, 1959)
--Louisiana Territory (Harry W. Smith, 1953)
--Love at Sea (Adrian Brunel, 1936)
--The Love Doctor (Melville W. Brown, 1929)
--The Love Feast (aka 'Immer wenn es Nacht wird'; Hans D. Bove, 1961)
--Love, Honor and Oh, Baby! (Edward Buzzell, 1933)
--Love in the Desert (George Melford, 1929)
--Love Is a Splendid Illusion (Tom Clegg, 1970)
--The Love Kiss (Robert R. Snody, 1930)
--Love on Skis (Ladislao Vajda, 1933)
--Love Past Thirty (Vin Moore, 1934)
--The Love Racket (William A. Seiter, 1929)
--Love Up the Pole (Clifford Gulliver, 1936)
--Lover Come Back (Erle C. Kenton, 1931)
--Lucky Days (Reginald Denham, 1935)
--Lucky Larrigan (John P. McCarthy, 1932)
--Madonna of the Streets (John S. Robertson, 1930)
--Maid to Order (Elmer Clifton, 1931)
--Making the Grade (Alfred E. Green, 1929)
--Mama Loves Papa (Frank R. Strayer, 1945)
--Man Against Woman (Irving Cummings, 1932)
--The Man from Chicago (Walter Summers, 1930)
--The Man from Death Valley (Lloyd Nosler, 1931)
--The Man from Yesterday (Oswald Mitchell, 1949)
--The Man Outside (George A. Cooper, 1933)
--The Man Who Dared (Crane Wilbur, 1939)
--The Man with the Magnetic Eyes (Ronald Haines, 1945)
--Manhattan Angel (Arthur Dreifuss, 1949)
--March of the Spring Hare (aka 'Roommates'; Jack Baran, 1971)
--Marooned (Leslie S. Hiscott, 1933)
--Marry the Girl (Maclean Rogers, 1935)
--Master and Man (John Harlow, 1934)
--McFadden's Flats (Ralph Murphy, 1935)
--Meet Mr. Penny (David MacDonald, 1938)
--Meet the Duke (James Corbett, 1949)
--The Melody-Maker (Leslie S. Hiscott, 1933)
--Melody of My Heart (Wilfred Noy, 1936)
--Men of the Plains (Robert F. Hill, 1936)
--Men of the Sea (aka 'Baltiytsy'; Aleksandr Faintsimmer, 1938)
--Men of the Timberland (John Rawlins, 1941)
--Messenger of Peace (Frank R. Strayer, 1947)
--The Midnight Patrol (Christy Cabanne, 1932)
--Midstream (James Flood, 1929)
--Millie's Daughter (Sidney Salkow, 1947)
--Million Dollar Baby (Joseph Santley, 1934)
--Mission Batangas (Keith Larsen, 1968)
--Mississippi Gambler (John Rawlins, 1942)
--A Modern Marriage (Paul Landres and Ben Parker, 1950)
--Monsoon (Rod Amateau, 1952)
--Moonlight in Vermont (Edward C. Lilley, 1943)
--Motor Madness (D. Ross Lederman, 1937)
--Murder in the Family (Albert Parker, 1938)
--Murder Reported (Charles Saunders, 1957)
--Murder Tomorrow (Donovan Pedelty, 1938)
--The Music Goes 'Round (Victor Schertzinger, 1936)
--My Heart Is Calling (Carmine Gallone, 1935)
--My Wife's Family (Gilbert Gunn, 1956)
--Mysterious Mr. Nicholson (Oswald Mitchell, 1947)
--The Naked Earth (Vincent Sherman, 1958)
--The Naked World of Harrison Marks (George Harrison Marks, 1967)
--Naval Academy (Erle C. Kenton, 1941)
--Navy Bound (Paul Landres, 1951)
--Neighbors' Wives (B. Reeves Eason, 1933)
--Nelly's Version (TV-movie; Maurice Hatton, 1983)
--New Love (aka 'La revolución de las flores'; Álvaro J. Covacevich, 1968)
--The New Teacher (aka 'Uchitel'; Sergey Gerasimov, 1939)
--The Night Hawk (Sidney Salkow, 1938)
--Night Is Ours (aka 'Die Nacht gehört uns'; Carl Froelich and Henry Roussel, 1929)
--Night of the Garter (Jack Raymond, 1933)
--No Monkey Business (Marcel Varnel, 1935)
--Norah O'Neale (aka 'Irish Hearts'; Brian Desmond Hurst, 1934)
--Not Damaged (Chandler Sprague, 1930)
--The Notorious Sophie Lang (Ralph Murphy and William Cameron Menzies [uncredited], 1934)
--Number Seventeen (aka 'Haus Nummer 17'; Géza von Bolváry, 1928)
--Obey the Law (Benjamin Stoloff, 1933)
--Off the Wall (Rick King, 1977)
--The Office Scandal (Paul L. Stein, 1929)
--The Officer and the Lady (Sam White, 1941)
--Oh, What a Night (Frank Richardson, 1935)
--Oh, What a Night! (William Beaudine, 1944)
--Oklahoma Jim (Harry L. Fraser, 1931)
--The Old Homestead (Frank McDonald, 1942)
--Old Mother Riley at Home (Oswald Mitchell, 1945)
--Old Roses (Bernard Mainwaring, 1935)
--Olsen's Big Moment (Malcolm St. Clair, 1933)
--On Approval (Tom Walls, 1930)
--On the Level (Irving Cummings, 1930)
--On Thin Ice (Bernard Vorhaus, 1933)
--One Good Turn (Alfred J. Goulding, 1936)
--One Hour to Live (Harold D. Schuster, 1939)
--Opened by Mistake (George Archainbaud, 1940)
--Operation Delilah (aka 'Operación Dalila'; Luis de los Arcos, 1967)
--Outlaw Brand (Lambert Hillyer, 1948)
--Outlaw Express (George Waggner, 1938)
--Outlaws of Cherokee Trail (Lester Orlebeck, 1941)
--Outside In (Allen Baron and G.D. Spradlin, 1972)
--Outside the Three-Mile Limit (Lewis D. Collins, 1940)
--The Overland Express (Drew Eberson, 1938)
--Pardon My Stripes (John H. Auer, 1942)
--Partners (Fred Allen, 1932)
--Partners in Time (William Nigh, 1946)
--The Party's Over (Walter Lang, 1934)
--Passport to Alcatraz (Lewis D. Collins, 1940)
--Patricia Gets Her Man (Reginald Purdell, 1937)
--Personality Kid (George Sherman, 1946)
--Pimpernel Svensson (Emil A. Lingheim, 1950)
--Pinto Rustlers (Harry S. Webb, 1936)
--Pleasure Crazed (Donald Gallaher and Charles Klein, 1929)
--Prejudice (Edward L. Cahn, 1949)
--The Prince and the Pauper (aka 'The Adventures of the Prince and the Pauper'; Elliot Geisinger, 1969)
--Priorities on Parade (Albert S. Rogell, 1942)
--Prison Girl (aka 'Gallant Lady'; William Beaudine, 1942)
--Prisoners in Petticoats (Philip Ford, 1950)
--Public Nuisance No. 1 (Marcel Varnel, 1936)
--Quando el amor rie (aka 'Cuando el amor ríe'; David Howard, Manuel París and William J. Scully, 1930)
--Racing Blood (Wesley Barry, 1954)
--Rainbow Over the Range (Albert Herman, 1940)
--Range Renegades (Lambert Hillyer, 1948)
--The Rangers' Round-Up (Sam Newfield, 1938)
--Reaching Out (Pat Russell, 1983)
--Reasonable Doubt (George King, 1936)
--Record 413 (aka 'Disk 413'; Richard Pottier, 1936)
--Red Hot Rhythm (Leo McCarey, 1929)
--Red Runs the River (Katherine Stenholm, 1963)
--Redheads on Parade (Norman Z. McLeod, 1935)
--Reform Girl (Sam Newfield, 1933)
--Reformatory (Lewis D. Collins, 1938)
--Return to Campus (Harold Cornsweet, 1975)
--Revenge at Monte Carlo (B. Reeves Eason, 1933)
--Rhythm Inn (Paul Landres, 1951)
--Riders of the Dawn (Oliver Drake, 1945)
--Ridin' On (Ira Webb, 1936)
--Rio Grande Romance (Robert F. Hill, 1936)
--River Gang (Charles David, 1945)
--Roar of the Crowd (William Beaudine, 1953)
--Roaring Ranch (B. Reeves Eason, 1930)
--Rodeo Rhythm (Fred C. Newmeyer, 1942)
--Romance in the Dark (H.C. Potter, 1938)
--Rose of Tralee (Germain Burger, 1942)
--A Royal Romance (Erle C. Kenton, 1930)
--Run for the Roses (Henry Levin, 1977)
--Run Like a Thief (Bernard Glasser, 1967)
--The Runaway (Anthony Young, 1963)
--Sabotage at Sea (Leslie S. Hiscott, 1942)
--The Sacred Flame (Archie Mayo, 1929)
--Sailor Be Good (James Cruze, 1933)
--The Sap (Archie Mayo, 1929)
--Sarumba (Marion Gering, 1950)
--The Satin Mushroom (Don Brown, 1969)
--Saturday Night in Apple Valley (John Myhers, 1965)
--Savage Brigade (Marcel L'Herbier and Jean Dréville [uncredited], 1939)
--Say It with Diamonds (Redd Davis, 1935)
--The Scarlet Brand (J.P. McGowan, 1932)
--School for Girls (William Nigh, 1934)
--Schweik's New Adventures (Karel Lamac, 1943)
--Sea Fury (George Melford, 1929)
--The Second Mate (John Baxter, 1950)
--The Second Mr. Bush (John Paddy Carstairs, 1940)
--The Secret of the Sacred Forest (Michael Du Pont, 1970)
--The Secret Tent (Don Chaffey, 1956)
--Secret Venture (R.G. Springsteen, 1955)
--The Secret Voice (George Pearson, 1936)
--The Seducers (Graeme Ferguson, 1962)
--Seven Faces (Berthold Viertel, 1929)
--Shadows of Sing Sing (Phil Rosen, 1933)
--Shakedown (David Selman, 1936)
--She Asked for It (Erle C. Kenton, 1937)
--She Has What It Takes (Charles Barton, 1943)
--She Knew What She Wanted (Thomas Bentley, 1936)
--She Was a Lady (Hamilton MacFadden, 1934)
--Ship Cafe (Robert Florey, 1935)
--Should a Girl Marry? (Scott Pembroke, 1930)
--Silver Top (George King, 1938)
--Simply Terrific (Roy William Neill, 1938)
--Sing Along with Me (Peter Graham Scott, 1952)
--A Sister to Assist 'Er (George Dewhurst and Widgey R. Newman, 1938)
--A Sister to Assist 'Er (George Dewhurst, 1948)
--Sky Parade (Otho Lovering, 1936)
--Sleepy Lagoon (Joseph Santley, 1943)
--Sleepytime Gal (Albert S. Rogell, 1942)
--Slightly Terrific (Edward F. Cline, 1944)
--Soldiers of the Storm (D. Ross Lederman, 1933)
--Solution by Phone (Alfred Travers, 1954)
--Someone (Pat Rocco, 1968)
--Son of the Regiment (aka 'Syn polka'; Vasili Pronin, 1946)
--The Song and the Silence (Nathan Cohen, 1968)
--A Song of Kentucky (Lewis Seiler, 1929)
--Song of the Sierras (Oliver Drake, 1946)
--Souls in Conflict (Leonard Reeve and Dick Ross, 1954)
--South of Arizona (Sam Nelson, 1938)
--South of Dixie (Jean Yarbrough, 1944)
--The Spanish Sword (Ernest Morris, 1962)
--Speakeasy (Benjamin Stoloff, 1929)
--Splinters in the Air (Alfred J. Goulding, 1937)
--Sport of Kings (Robert Gordon, 1947)
--Sporting Chance (Albert Herman, 1931)
--Stars in Your Eyes (Maurice Elvey, 1956)
--State Police (John Rawlins, 1938)
--Steel Arena (Mark L. Lester, 1973)
--Storm Over Tibet (Andrew Marton, 1952)
--Strange Adventures of Mr. Smith (Maclean Rogers, 1937)
--Strange Cargo (Lawrence Huntington, 1936)
--Strange Wives (Richard Thorpe, 1934)
--Strategy of Terror (Jack Smight, 1969)
--Street Song (Bernard Vorhaus, 1935)
--Sudden Bill Dorn (Ray Taylor, 1937)
--Summer's Children (Julius Kohanyi, 1979)
--The Sun Shines (aka 'Süt a nap'; László Kalmar, 1939)
--The Sweet Creek County War (J. Frank James, 1979)
--Sweet Inniscarra (Emmett Moore, 1934)
--Swing Your Partner (Frank McDonald, 1943)
--Sword of Honour (Maurice Elvey, 1939)
--A Tailor Made Man (Sam Wood, 1931)
--Take It from Me (William Beaudine, 1937)
--Talk About a Lady (George Sherman, 1946)
--Taming Sutton's Gal (Lesley Selander, 1957)
--Tangled Evidence (George A. Cooper, 1934)
--Temptation (Max Neufeld, 1934)
--Terror on Tiptoe (Louis Renoir, 1936)
--Thank Evans (Roy William Neill, 1938)
--That's My Boy (Roy William Neill, 1932)
--That's My Gal (George Blair, 1947)
--That's the Ticket (Redd Davis, 1940)
--There Is Still Room in Hell (aka 'Silahlar konusuyor'; Ernst Ritter von Theumer, 1961)
--They Just Had to Get Married (Edward Ludwig, 1932)
--They Met On Skis (aka 'Le grand élan'; Christian-Jaque and Harry R. Sokal, 1940)
--The Thirteenth Candle (John Daumery, 1933)
--This Sporting Age (Andrew Bennison and A.F. Erickson, 1932)
--Those Who Love (H. Manning Haynes, 1929)
--Three Cheers for Love (Ray McCarey, 1936)
--Three Dolls From Hong Kong (aka 'Oneechan makari tôru'; Toshio Sugie, 1959)
--Tilly of Bloomsbury (Leslie S. Hiscott, 1940)
--Timber Fury (Bernard B. Ray, 1950)
--The Time and the Touch (Benito Alazraki, 1962)
--Time of the Heathen (Peter Kass, 1962)
--Timothy's Quest (Charles Barton, 1936)
--To Be a Lady (George King, 1934)
--To Be Free (aka 'Imago'; Ned Bosnick, 1970)
--Toilers of the Sea (Ted Fox and Selwyn Jepson, 1936)
--Tomboy and the Champ (Francis D. Lyon, 1961)
--Tonight the Skirts Fly (aka 'Ce soir les jupons volent'; Dimitri Kirsanoff, 1956)
--Too Many Husbands (Ivar Campbell, 1938)
--Top Floor Girl (Max Varnel, 1959)
--Touch of Death (Lance Comfort, 1961)
--A Tremendously Rich Man (Steve Sekely, 1932)
--The Trial of Madame X (Paul England, 1948)
--Trigger Smith (Alan James, 1939)
--Trigger Tricks (B. Reeves Eason, 1930)
--The Trojan Brothers (Maclean Rogers, 1946)
--Trouble Ahead (aka 'Falling in Love'; Monty Banks, 1934)
--The True and the False (aka 'Den underbara lögnen'; Schamyl Bauman and Mike Road, 1955)
--12 to the Moon (David Bradley, 1960)
--Twilight Hour (Paul L. Stein, 1945)
--Two-Fisted Gentleman (Gordon Wiles, 1936)
--Two Fisted Justice (George Arthur Durlam, 1931)
--Two in a Taxi (Robert Florey, 1941)
--Two Men and a Maid (George Archainbaud, 1929)
--Two Sinners (Arthur Lubin, 1935)
--Two Voices (aka 'Deux Voix'; Rosalind Stevenson, 1966)
--Una Signora Dell'ovest (aka 'Girl of the Golden West'; Carl Koch, 1942)
--Uncensored (Anthony Asquith, 1942)
--Under Secret Orders (Sam Newfield, 1933)
--The Unexpected Father (Thornton Freeland, 1932)
--The Unholy Quest (Widgey R. Newman, 1934)
--The Unwritten Law (Christy Cabanne and Wilfred Lucas, 1932)
--Variety (Adrian Brunel, 1935)
--Variety Hour (Redd Davis, 1937)
--Varsity (Frank Tuttle, 1928)
--Vengeance (Dene Hilyard, 1964)
--Victims of Persecution (Bud Pollard, 1933)
--The Viper (Roy William Neill, 1938)
--A Voice in Your Heart (aka 'Una voce nel tuo cuore'; Alberto D'Aversa, 1949)
--The Voice Within (Maurice J. Wilson, 1946)
--W.I.A. Wounded in Action (Irving Sunasky, 1966)
--Way Out, Way In (aka 'Kôkôsei bancho'; Michihiko Obimori, 1970)
--The Weather in the Streets (TV-movie; Gavin Millar, 1983)
--Web of Suspicion (Max Varnel, 1959)
--Wedding Rings (William Beaudine, 1929)
--Welcome Home (James Tinling, 1935)
--Welcome to the Club (Walter Shenson, 1971)
--West of Cheyenne (Sam Nelson, 1938)
--What a Man (George Crone, 1930)
--What Price Decency (Arthur Gregor, 1933)
--When a Man Sees Red (Alan James, 1934)
--When London Sleeps (aka 'Menace'; Adrian Brunel, 1934)
--When Strangers Marry (Clarence G. Badger, 1933)
--When Strangers Meet (Christy Cabanne, 1934)
--When the Devil Was Well (Maclean Rogers, 1937)
--While Parents Sleep (Adrian Brunel, 1935)
--While the Sun Shines (Anthony Asquith, 1947)
--Whip's Women (Jerry Denby, 1967)
--White Cargo (J.B. Williams, 1929)
--Who Killed Fen Markham? (aka 'The Angelus'; Thomas Bentley, 1937)
--Wild Horse Canyon (Robert F. Hill, 1938)
--Wild Horse Valley (Ira Webb, 1940)
--Wilderness Mail (Forrest Sheldon, 1935)
--The Windmill (Arthur B. Woods, 1937)
--Wings Over Africa (Ladislao Vajda, 1936)
--The Wishbone (Arthur Maude, 1933)
--Without You (John Daumery, 1934)
--The Woman Decides (aka 'The Woman Between'; Miles Mander, 1931)
--Woman Hungry (Clarence G. Badger, 1931)
--Women Love Once (Edward Goodman, 1931)
--Would-Be Gentleman (aka 'Le bourgeois gentilhomme'; Jean Meyer, 1958)
--Yes, Mr. Brown (Jack Buchanan and Herbert Wilcox, 1933)
--Yes Sir, Mr. Bones (Ron Ormond, 1951)
--Yosakoi Journey (aka 'Yosakoi ryoko'; Masaharu Segawa, 1970)
--You Must Get Married (Leslie Pearce, 1936)
--You Will Remember (Jack Raymond, 1941)
--You're a Lucky Fellow, Mr. Smith (Felix E. Feist, 1943)
--You're the Doctor (Roy Lockwood, 1938)
(1984)--Home Free All (Stewart Bird, 1984)
--Isaac Littlefeathers (Les Rose, 1984)
(silent)--Baffled (J.P. McGowan, 1924)
--Blue Blood (Scott R. Dunlap, 1925)
--Broadway Billy (Harry Joe Brown, 1926)
--The Manchester Man (Bert Wynne, 1920)
--Mind Over Motor (Ward Lascelle, 1923)
--My Husband's Wives (Maurice Elvey, 1924)
--My Lord the Chauffeur (B.E. Doxat-Pratt, 1927)
--The Mystery of Mr. Bernard Brown (Sinclair Hill, 1921)
--The Night Ship (Henry McCarty, 1925)
--The Off-Shore Pirate (Dallas M. Fitzgerald, 1921)
--The Oklahoma Kid (J. P. McGowan, 1929)
--One Million in Jewels (J.P. McGowan, 1923)
--One of Many (Christy Cabanne, 1917)
--Out of the Drifts (J. Searle Dawley, 1916)
--Outwitted (George D. Baker, 1917)
--Pages of Life (Adelqui Migliar, 1922)
--The Painted Flapper (John Gorman, 1924)
--Pals of the Prairie (Louis King, 1929)
--Paws of the Bear (Reginald Barker, 1917)
--The Penniless Millionaire (Einar Bruun, 1921)
--A Petal on the Current (Tod Browning, 1919)
--Phyllis of the Follies (Ernst Laemmle, 1928)
--The Pipes of Pan (Cecil M. Hepworth, 1923)
--Possession (Henry Edwards, 1919)
--Prowlers of the Night (Ernst Laemmle, 1926)
--The Puppet Crown (George Melford, 1915)
--The Queen Mother (Wilfred Noy, 1916)
--The Ragged Heiress (Harry Beaumont, 1922)
--The Range Riders (Ben F. Wilson, 1927)
--The Recoil (T. Hayes Hunter, 1924)
--The Red Lane (Lynn Reynolds, 1920)
--Reno (Rupert Hughes, 1923)
--The Riddle: Woman (Edward José, 1920)
--The Rose of Paris (Irving Cummings, 1924)
--Runaway Girls (Mark Sandrich, 1928)
--The Rush Hour (E. Mason Hopper, 1928)
--Sally of the Scandals (Lynn Shores, 1928)
--Shams of Society (Thomas B. Walsh, 1921)
--Shirley of the Circus (Rowland V. Lee, 1922)
--The Shopsoiled Girl (Leedham Bantock, 1915)
--Should a Wife Work? (Horace G. Plympton, 1922)
--The Silent Vow (William Duncan, 1922)
--Silver Comes Through (Lloyd Ingraham, 1927)
--Singer Jim McKee (Clifford Smith, 1924)
--Sinners in Love (George Melford, 1928)
--A Sister to Assist 'Er (George Dewhurst, 1927)
--Sky-High Saunders (short-film; Bruce Mitchell, 1927)
--Smashing Through (W.P. Kellino, 1928)
--Soul Mates (Jack Conway, 1925)
--Speed Cop (Duke Worne, 1926)
--Speed Crazed (Duke Worne, 1926)
--The Spider and the Rose (John McDermott, 1923)
--The Splendid Road (Frank Lloyd, 1925)
--The Sport of Kings (Arthur Rooke, 1921)
--Stella Maris (Charles Brabin, 1925)
--Still Waters Run Deep (Fred Paul, 1916)
--Stocks and Blondes (Dudley Murphy, 1928)
--The Streets of New York (Burton L. King, 1922)
--The Tangle (Harry Lambart, 1914)
--The Target (Norval MacGregor, 1916)
--Tea for Three (Robert Z. Leonard, 1927)
--The Telephone Girl (Herbert Brenon, 1927)
--That Royle Girl (D.W. Griffith, 1925)
--Thelma (Chester Bennett, 1922)
--Thou Art the Man (Thomas N. Heffron, 1920)
--Thumbs Down (Phil Rosen, 1927)
--The Tie That Binds (Joseph Levering, 1923)
--Tipped Off (Finis Fox, 1923)
--True Tilda (Harold M. Shaw, 1920)
--The Two Edged Sword (George D. Baker, 1916)
--The Uninvited Guest (George Dewhurst, 1923)
--The Untamed Lady (Frank Tuttle, 1926)
--The Veiled Woman (Leedham Bantock, 1917)
--Walls of Prejudice (Charles Calvert, 1920)
--The Wanters (John M. Stahl, 1923)
--Warming Up (Fred C. Newmeyer, 1928)
--Weavers of Fortune (Arthur Rooke, 1922)
--The Web of the Law (Tom Gibson, 1923)
--West of Santa Fe (J.P. McGowan, 1928)
--West of the Law (Ben F. Wilson, 1926)
--Western Courage (Ben F. Wilson, 1927)
--Western Fate (George Holt, 1924)
--The Western Rover (Albert S. Rogell, 1927)
--The Western Whirlwind (Albert S. Rogell, 1927)
--What Every Woman Knows (Fred W. Durrant, 1917)
--When East Comes West (B. Reeves Eason, 1922)
--When Odds Are Even (James Flood, 1923)
--When Seconds Count (Oscar Apfel, 1927)
--Wing Toy (Howard M. Mitchell, 1921)
--A Wise Fool (George Melford, 1921)
--Without Fear (Kenneth S. Webb, 1922)
--Without Limit (George D. Baker, 1921)
--The Wolverine (William Bertram, 1921)
--Youth for Sale (Christy Cabanne, 1924)
Notes: --The film 'Another Time, Another Place' (Michael Radford, 1983) was listed twice, under different titles, both as 1 1/2 and 2 1/2-starred. The 2 1/2-star entry came first, and was thus how I registered it.
--'Appointment with a Shadow' (Richard Carlson, 1957) was listed twice, under different titles, as being both insignificant and 1 1/2-stars. Since the 1 1/2-starred rating was seen first, that was how I listed it.
--'Arson Racket Squad' (aka 'Arson Gang Busters'; Joseph Kane, 1938) was listed twice, under different titles, as being both insignificant and 1 1/2-stars. Since the 1 1/2-starred rating was seen first, that was how I listed it.
--'Black Eyes' (Herbert Brenon, 1939) was also listed separately, first as 2-stars and then as 1 1/2-stars, so I recorded it as being 2-stars.
--'The Body Stealers' (Gerry Levy, 1969) was listed twice, under different titles, as being both insignificant and 1 1/2-stars. Since the 1 1/2-starred rating was seen first, that was how I listed it.
--'Broken Dishes' (aka 'Too Young to Marry'; Mervyn LeRoy, 1931) was listed twice, under different titles, as being both insignificant and 1 1/2-starred. Since the 1 1/2-starred rating was seen first, that was how I listed it.
--'La città prigioniera' (Joseph Anthony, 1962) was also listed separately as 1 1/2 and 2 1/2-starred entries. The 1 1/2-star entry occurred first and was counted as thus.
--'Conflit' (Léonide Moguy, 1938) was listed twice, under different titles, as both 1 1/2 and 2 1/2-stars. Since the 1 1/2-starred title appeared first, that was how I listed it.
--'Cool It, Carol!' (Pete Walker, 1970) was listed twice, under different titles, as being both insignificant and 1 1/2-starred. Since the 1 1/2-starred rating was seen first, that was how I listed it.
--'Deathstalker' (James Sbardellati, 1983) was documented twice, as 1 and 1 1/2-stars. The 1-star entry was seen first, and thus recorded that way.
--'Earth vs the Spider' (Bert I. Gordon, 1958) was listed twice, as both 1 and 1 1/2-stars. Since the 1-starred title appeared first, that was how I listed it.
--'Erotic Trap' (Jean-François Davy, 1969) was listed twice, under different titles, as being both insignificant and 1 1/2-starred. Since the 1 1/2-starred rating was seen first, that was how I listed it.
--'Games That Lovers Play' (Malcolm Leigh, 1971) was listed twice, under different titles, as being both insignificant and 1 1/2-stars. Since the 1 1/2-starred rating was seen first, that was how I listed it.
--'Glad Tidings' (Wolf Rilla, 1953) was listed twice, under different titles, as being both insignificant and 1 1/2-starred. Since the 1 1/2-starred rating was seen first, that was how I listed it.
--'The Glove' (Ross Hagen, 1979) was listed twice, under different titles, as being both insignificant and 1 1/2-starred. Since the 1 1/2-starred rating was seen first, that was how I listed it.
--'Ich bin auch nur eine Frau' (Alfred Weidenmann, 1962) was listed twice, thankfully rated both times as 1 1/2-stars.
--'Il sorriso del grande tentatore' (Damiano Damiani, 1973) was listed separately as 1 1/2 and 2-star entries. The 1 1/2-star came first and was thus recorded that way.
--'In Old Montana' (Bernard B. Ray, 1939) was listed twice, under different titles, as being both insignificant and 1 1/2-starred. Since the 1 1/2-starred rating was seen first, that was how I listed it.
--'The Last Fight' (Fred Williamson, 1983) was listed twice, under different titles, as being both insignificant and 1 1/2-starred. Since the 1 1/2-starred rating was seen first, that was how I listed it.
--'The Last Three' (Glenn Tryon, 1943) was listed twice, under different titles, as being both insignificant and 1 1/2-starred. Since the 1 1/2-starred rating was seen first, that was how I listed it.
--'The Lawton Story' (William Beaudine and Harold Daniels, 1949) was listed separately as 1 1/2 and 2-star entries. The 2-star came first and was thus recorded that way.
--'Les tripes au soleil' (Claude Bernard-Aubert, 1959) was listed separately as 1 and 1 1/2-star entries. The 1 1/2-star came first and was thus recorded that way.
--'London Melody' (Herbert Wilcox, 1937) was listed twice, under different titles, as both 2 and 1 1/2-stars. Since the 2-starred title appeared first, that was how I listed it.
--'Maurie' (Daniel Mann, 1973) was listed twice, under different titles, as being both insignificant and 1 1/2-stars. Since the 1 1/2-starred rating was seen first, that was how I listed it.
--'Nightbeast' (Don Dohler, 1982) was listed twice, under different titles, as being both insignificant and 1 1/2-stars. Since the 1 1/2-starred rating was seen first, that was how I listed it.
--'1. April 2000' (Wolfgang Liebeneiner, 1952) was listed twice, under different titles, as both 1 and 1 1/2-stars. Since the 1-starred title appeared first, that was how I listed it.
--'Ouanga' (George Terwilliger, 1936) was listed twice, under different titles, as being both insignificant and 1 1/2-stars. Since the 1 1/2-starred rating was seen first, that was how I listed it.
--'Our Blushing Brides' (Harry Beaumont, 1930) was listed twice, as both 1 1/2 and 2 1/2-stars. Since the 1 1/2-starred title appeared first, that was how I listed it.
--'Pacific Blackout' (Ralph Murphy, 1941) was listed twice, as both 1 1/2 and 2 1/2-stars. Since the 2 1/2-starred title appeared first, that was how I listed it.
--'Privates on Parade' (Michael Blakemore, 1983) was listed twice, under different titles, as both 1 and 1 1/2-stars. Since the 1 1/2-starred title appeared first, that was how I listed it.
--'The Rawhide Trail' (Robert Gordon, 1958) was listed twice, under different titles, as being both insignificant and 1 1/2-stars. Since the 1 1/2-starred rating was seen first, that was how I listed it.
--'The Savage Wild' (Gordon Eastman, 1970) was listed twice, under different titles, as being both insignificant and 1 1/2-starred. Since the 1 1/2-starred rating was seen first, that was how I listed it.
--'Search and Destroy' (William Fruet, 1979) was listed twice, under different titles, as being both insignificant and 1 1/2-starred. Since the 1 1/2-starred rating was seen first, that was how I listed it.
--'The Specialist' (Howard Avedis, 1975) was listed twice, under different titles, as being both insignificant and 1 1/2-stars. Since the 1 1/2-starred rating was seen first, that was how I listed it.
--'The Spectre of Edgar Allan Poe' (Mohy Quandour, 1974) was listed twice, under different titles, as being both insignificant and 1 1/2-stars. Since the 1 1/2-starred rating was seen first, that was how I listed it.
--'The Strange World of Planet X' (Gilbert Gunn, 1958) was listed twice, under different titles, as being both insignificant and 1 1/2-starred. Since the 1 1/2-starred rating was seen first, that was how I listed it.
--'Street of Darkness' (Robert G. Walker, 1958) was listed twice, under different titles, as being both insignificant and 1 1/2-starred. Since the 1 1/2-starred rating was seen first, that was how I listed it.
--'Tinker' (Herbert Marshall, 1949) was listed twice, under different titles, as being both insignificant and 1 1/2-starred. Since the 1 1/2-starred rating was seen first, that was how I listed it.
--'Together for Days' (Michael Schultz, 1972) was listed twice, under different titles, as being both insignificant and 1 1/2-stars. Since the 1 1/2-starred rating was seen first, that was how I listed it.
--'Topa Topa' (Charles Hutchison and Vin Moore, 1938) was listed twice, under different titles, as being both insignificant and 1 1/2-starred. Since the 1 1/2-starred rating was seen first, that was how I listed it.
--'U-Turn' (George Kaczender, 1973) was listed twice, under different titles, as being both insignificant and 1 1/2-starred. Since the 1 1/2-starred rating was seen first, that was how I listed it.
--'Whirlwind' (John English, 1951) was listed twice, under different titles, as being both insignificant and 1 1/2-stars. Since the 1 1/2-starred rating was seen first, that was how I listed it.
--'Wild West' (Robert Emmett Tansey, 1946) was listed separately as 1 1/2 and 2-star entries. The 2-star came first and was thus recorded that way.
Hopefully you will enjoy these lists from it as well as I have!
Sincerely,
William Wood Windsor, Ontario, Canada October, 2017