As I've become more enthralled by cinema over the years, I have cherished reading all I possibly could about my favourite hobby. A fine resource I have discovered has been 'The Motion Picture Guide' which, in 1985, came out for films 1927-1983, then they put out annual guides till about 1999. I wish they kept on making them up to the present!

This list picks up at Page 1726 (of Volume V), and has, as listed below, 483 not mentioned in Letterboxd, and goes straight through to Page 3925 (of Volume IX). See Part I for the first 3200 (plus 405 not mentioned in Letterboxd).

This list is one of 12. There are 11, ranging by half-star increments from zero to five stars, and, inexplicably for one year, they refused to give an objectifiable rating for the films, then returned to doing so the following year. I fervently wish that when they did so, they retroactively, at least as a footnote, and to be complete, gave a star-rating for the year they had comparatively neglected.

This list of 'two-star' rated films represents 'fair' films, and would be comparable the 4/10 score on IMDb. Two-star films that were listed in 'The Motion Picture Guide' that WEREN'T on Letterboxd were:
--Looking Up (Linda Yellen, 1977)
--Louisiana (Phil Karlson, 1947)
--Love at First Sight (Edgar Lewis, 1929)
--The Love Factory (Massimo Mida, 1964)
--Love in Exile (Alfred L. Werker, 1936)
--Love Lies (Lupino Lane, 1931)
--The Love Nest (Thomas Bentley, 1933)
--Love Now...Pay Later (aka 'L'inferno addosso'; Gianni Vernuccio, 1959)
--The Love Wager (A. Cyran, 1933)
--The Loves of Robert Burns (Herbert Wilcox, 1930)

--Love's Old Sweet Song (H. Manning Haynes, 1933)
--The Luckiest Girl in the World (Edward Buzzell, 1936)
--Lucky Jade (Walter Summers, 1937)
--Lucky Loser (Reginald Denham, 1934)
--The Lure (Arthur Maude, 1933)
--Lydia (Cedric d'Ailly, 1964)
--Mackintosh and T.J. (Marvin J. Chomsky, 1975)
--The Mad Hatters (Ivar Campbell, 1935)
--The Mad Martindales (Alfred L. Werker, 1942)
--Madison Square Garden (Harry Joe Brown, 1932)

--The Magic Fountain (Allan David, 1961)
--Maid Happy (Mansfield Markham, 1933)
--The Maiden (aka 'La môme Pigalle'; Alfred Rode, 1955)
--Make a Face (Karen Sperling and Avraham Tau, 1971)
--Make Believe Ballroom (Joseph Santley, 1949)
--Male and Female Since Adam and Eve (Carlos Rinaldi, 1961)
--The Man from Guntown (Ford Beebe, 1935)
--The Man from New Mexico (J.P. McGowan, 1932)
--The Man from the East (aka 'Higashi kara kita otoko'; Umetsugu Inoue, 1961)
--A Man in the Storm (Senkichi Taniguchi, 1957)

--Man of Conflict (Hal R. Makelim, 1953)
--The Man Who Returned to Life (Lew Landers, 1942)
--A Man's Affair (Jay Lewis, 1949)
--A Man's World (Charles Barton, 1942)
--Manolis (this wasn't even on IMDb; Paul H. Crosfield, 1962)
--Mark It Paid (aka 'Speed Demon'; D. Ross Lederman, 1932)
--The Marriage of Figaro (aka 'Le mariage de Figaro'; Jean Meyer, 1959)
--The Marriage of Figaro (aka 'Die Hochzeit des Figaro'; Joachim Hess, 1967)
--Mary Lou (Arthur Dreifuss, 1948)
--Mata Hari's Daughter (aka 'La figlia di Mata Hari'; Renzo Merusi and Carmine Gallone, 1954)

--Mayfair Melody (Arthur B. Woods, 1937)
--Melody and Romance (Maurice Elvey, 1937)
--Melody in Spring (Norman Z. McLeod, 1934)
--The Melody Lingers On (David Burton, 1935)
--The Melody Man (Roy William Neill, 1930)
--Melody of Love (Arch Heath, 1928)
--Memory of Us (H. Kaye Dyal, 1974)
--Men of the Sky (Alfred E. Green, 1931)
--Men Without Law (Louis King and Arthur Rosson [uncredited], 1930)
--Merry Comes to Stay (aka 'Merry Comes to Town'; George King, 1937)

--Merry-Go-Round of 1938 (Irving Cummings, 1937)
--Michael O'Halloran (John Rawlins, 1948)
--The Michigan Kid (Ray Taylor, 1947)
--The Middle Watch (Norman Walker, 1930)
--Midnight Folly (Marc Allégret and Charles Gérard, 1961)
--Military Academy (D. Ross Lederman, 1940)
--Millions in the Air (Ray McCarey, 1935)
--Miss Mink of 1949 (Glenn Tryon, 1949)
--Mr. Brown Comes Down the Hill (Henry Cass, 1965)
--Mr. Satan (Arthur B. Woods, 1938)

--Mr. Smith Carries On (Lister Laurance, 1937)
--Mr. Stringfellow Says No (Randall Faye, 1934)
--Mr. Washington Goes to Town (Jed Buell and William Beaudine [uncredited], 1941)
--Mrs. Fitzherbert (Montgomery Tully, 1947)
--Mrs. Gibbons' Boys (Max Varnel, 1962)
--Molly and Me (Albert Ray, 1929)
--Moonlight on the Range (Sam Newfield, 1937)
--The Morals of Marcus (Miles Mander, 1935)
--Morning Star (aka 'Cholpon-utrennyaya zvezda'; Roman Tikhomirov, 1962)
--Motel the Operator (Joseph Seiden, 1940)

--Mother and Daughter (aka 'Sredi dobrykh lyudey'; Yevgeni Bryunchugin and Anatoliy Bukovskiy, 1962)
--Mothers of Today (Henry Lynn, 1939)
--Moulin Rouge (André Hugon and Yves Mirande, 1940)
--Mountain Music (Robert Florey, 1937)
--Mountain Rhythm (Frank McDonald, 1943)
--The Mourning Suit (Leonard Yakir, 1975)
--Murder in Eden (Max Varnel, 1961)
--Murder on the Roof (George B. Seitz, 1930)
--Music Hall Parade (Oswald Mitchell, 1939)
--Music Man (Will Jason, 1948)

--My Lucky Star (Louis Blattner and John Harlow, 1933)
--My Mother (aka 'Self Defense'; Phil Rosen, 1932)
--My Old Dutch (Sinclair Hill, 1934)
--My Way (aka 'The Winners'; Emil Nofal and Roy Sargeant, 1972)
--My Wife's Family (Walter C. Mycroft, 1941)
--The Mysterious Mr. Reeder (aka 'The Mind of Mr. Reeder'; Jack Raymond, 1939)
--Mystery Range (Robert F. Hill, 1937)
--The Myth (aka 'La violenza e l'amore'; Adimaro Sala, 1965)
--Nagana (Ernst L. Frank, 1933)
--Naughty Cinderella (John Daumery, 1933)

--Near the Rainbow's End (J.P. McGowan, 1930)
--The Neon Palace (Peter Rowe, 1971)
--New Orleans (Reginald Barker, 1929)
--The Night Club Queen (Bernard Vorhaus, 1934)
--Night Journey (Oswald Mitchell, 1938)
--Night Without Pity (Theodore Zichy, 1961)
--Night Work (George Archainbaud, 1939)
--Nix on Dames (Donald Gallaher, 1929)
--No Greater Love (Lewis Seiler, 1932)
--No Haunt for a Gentleman (Leonard Reeve, 1952)
100
--No Living Witness (E. Mason Hopper, 1932)
--No Love for Judy (Jacques de Lane Lea, 1955)
--No Parking (Jack Raymond, 1938)
--Noddy in Toyland (Maclean Rogers, 1957)
--Nomadic Lives (Mark Obenhaus, 1976)
--Not Quite Decent (Irving Cummings, 1929)
--A Notorious Gentleman (Edward Laemmle, 1935)
--Oh No Doctor! (George King, 1934)
--An Old-Fashioned Girl (Arthur Dreifuss, 1949)
--The Old Homestead (William Nigh, 1935)
110
--Old Iron (Tom Walls, 1938)
--Old Mac (Michael Winner, 1961)
--Old Mother Riley in Business (John Baxter, 1941)
--On Stage Everybody (Jean Yarbrough, 1945)
--On Such a Night (Ewald André Dupont, 1937)
--On the Air (Herbert Smith, 1934)
--On the Isle of Samoa (William Berke, 1950)
--On the Run (Mende Brown, 1983)
--On Their Own (Otto Brower, 1940)
--Once a Gentleman (James Cruze, 1930)
120
--Once in a New Moon (Anthony Kimmins, 1935)
--Once to Every Bachelor (William Nigh, 1934)
--One Dark Night (Leo C. Popkin, 1939)
--One Is Guilty (Lambert Hillyer, 1934)
--One Night in Paris (aka 'Premiere'; Walter Summers, 1938)
--One Precious Year (Henry Edwards, 1933)
--1 2 3 Monster Express (aka '1 2 3 duan mahaphai'; Prinya Lilason, Narong Poomin and Vinai Poomin, 1977)
--Operation Diamond (Ronnie Pilgrim, 1948)
--Operation X (aka 'Dobunezumi sakusen'; Kihachi Okamoto, 1962)
--Our Neighbors--The Carters (Ralph Murphy, 1939)
130
--Out of the Past (Leslie S. Hiscott, 1933)
--Outpost of Hell (aka 'Dokuritsu kikanjûtai imada shagekichu'; Senkichi Taniguchi, 1963)
--Overland Bound (Leo D. Maloney, 1929)
--Pack Up Your Troubles (Oswald Mitchell, 1940)
--Paid in Error (Maclean Rogers, 1938)
--Pals of the Range (Elmer Clifton, 1935)
--Parades (Robert J. Siegel, 1972)
--Parallels (Mark Schoenberg, 1980)
--Pardon My Rhythm (Felix E. Feist, 1944)
--Paris (Clarence G. Badger, 1929)
140
--Paris Follies of 1956 (Leslie Goodwins, 1955)
--Paris Plane (John Paddy Carstairs, 1933)
--Partings (aka 'Pozegnania'; Wojciech Has, 1958)
--Partners (Don Owen, 1976)
--Passing Shadows (Leslie S. Hiscott, 1934)
--The Path of Glory (Dallas Bower, 1934)
--Penthouse Party (aka 'Without Children'; William Nigh, 1935)
--Pepper (James Tinling, 1936)
--The Perfect Crime (Bert Glennon, 1928)
--Personality (Victor Heerman, 1930)
150
--Petticoat Politics (Erle C. Kenton, 1941)
--Phantom of the Jungle (Spencer Gordon Bennet, 1955)
--Piccadilly Nights (Albert H. Arch, 1930)
--The Pilgrim Lady (Lesley Selander, 1947)
--Pioneer Trail (Joseph Levering, 1938)
--Pirates of the Seven Seas (aka 'Queer Cargo'; Harold D. Schuster, 1938)
--Pirates of the Skies (Joseph A. McDonough, 1939)
--Pleasantville (Kenneth Locker and Vicki Polon, 1976)
--Pleasures and Vices (aka 'Gueule d'ange'; Marcel Blistène, 1955)
--The Poisoned Diamond (W.P. Kellino, 1933)
160
--Police Bullets (Jean Yarbrough, 1942)
--Police Car 17 (Lambert Hillyer, 1933)
--Political Asylum (aka 'Detras de esa puerta'; Manuel Zecena Diéguez, 1975)
--Port of Hell (Harold D. Schuster, 1954)
--Port Said (Reginald Le Borg, 1948)
--The Postman Goes to War (aka 'Le facteur s'en va-t-en guerre'; Claude Bernard-Aubert, 1966)
--Prairie Justice (George Waggner, 1938)
--Prairie Law (David Howard, 1940)
--The Prescott Kid (David Selman, 1934)
--The Price of a Song (Michael Powell, 1935)
170
--The Pride of Maryland (Philip Ford, 1951)
--Pride of the Marines (D. Ross Lederman, 1936)
--The Primrose Path (Reginald Denham, 1934)
--Prince of Diamonds (Karl Brown, 1930)
--The Princess and the Plumber (Alexander Korda and John G. Blystone [uncredited], 1930)
--Prism (Anitra Pivnick, 1971)
--Prison Ship (Arthur Dreifuss, 1945)
--Private Affairs (Albert S. Rogell, 1940)
--Private Jones (Russell Mack and William Wyler [uncredited], 1933)
--Private Pooley (aka 'Der Schwur des Soldaten Pooley'; Kurt Jung-Alsen, 1961)
180
--The Private Right (Michael Papas, 1966)
--Private Scandal (Ralph Murphy, 1934)
--The Prodigal Son (aka 'Onna goroshi abura jigoku'; Hiromichi Horikawa, 1957)
--Put on the Spot (Robert F. Hill, 1936)
--A Question of Adultery (Don Chaffey, 1958)
--A Question of Suspense (Max Varnel, 1961)
--Quiet Please (Roy William Neill, 1938)
--The Rabbi and the Shikse (aka 'Kuni Leml B'Tel Aviv'; Joel Silberg, 1976)
--Racetrack (James Cruze, 1933)
--Racing Romance (Maclean Rogers, 1937)
190
--Rainbow 'Round My Shoulder (Richard Quine, 1952)
--The Rainbow Trail (David Howard, 1932)
--Raspoutine (Georges Combret, 1954)
--Ready for the People (TV-movie; Buzz Kulik, 1964)
--A Real Bloke (John Baxter, 1935)
--Rebecca of Sunnybrook Farm (Alfred Santell, 1932)
--Reckless Living (Cyril Gardner, 1931)
--The Red Cloak (aka 'Il mantello rosso'; Giuseppe Maria Scotese, 1955)
--The Red Dress (portmanteau of 3 episodes of 5-season/156-episode TV-series 'Douglas Fairbanks, Jr., Presents': Season 1/Episode 22 'The Red Dress', Season 1/Episode 18 'My Name Is Jones' and Season 2/Episode 8 'Panic'; Lawrence Huntington and Charles Saunders, 1954)
--The Red Rope (S. Roy Luby, 1937)
200
--The Redeemer (aka 'El redentor'; Joseph Breen and Fernando Palacios, 1959)
--Reform School (Leo C. Popkin, 1939)
--Reluctant Heroes (Jack Raymond, 1951)
--Rendezvous 24 (James Tinling, 1946)
--Resurrection (Edwin Carewe, 1931)
--The Return of Carol Deane (Arthur B. Woods, 1938)
--Rhythm in the Air (Arthur B. Woods, 1936)
--Ride a Northbound Horse (amalgam of Season 15/Episodes 21 and 22 of 36-season/728-episode TV-series, 'Disneyland'; Robert Totten, 1969)
--Rider of the Plains (John P. McCarthy, 1931)
--Riders of Black River (Norman Deming, 1939)
210
--Riders of the Golden Gulch (Clifford Smith, 1932)
--Riders of the North (J.P. McGowan, 1931)
--The River Woman (Joseph Henabery, 1928)
--The Road Home (aka 'Synovya'; Aleksandr Ivanov, 1946)
--The Road Is Fine (Robert Florey, 1930)
--Roaring Timber (Phil Rosen, 1937)
--Rocky Rhodes (Albert Raboch, 1934)
--Rodeo (William Beaudine, 1952)
--Romance in Rhythm (Lawrence Huntington, 1934)
--Romance in the Rain (Stuart Walker, 1934)
220
--Romance of the Rockies (Robert N. Bradbury, 1937)
--Rookie Fireman (Seymour Friedman, 1950)
--Room in the House (Maurice Elvey, 1955)
--Rose of the Yukon (George Blair, 1949)
--Rothchild (Marco de Gastyne, 1933)
--A Royal Divorce (Jack Raymond, 1938)
--Royal Eagle (George A. Cooper and Arnold Ridley, 1936)
--Runaway Ladies (Jean de Limur, 1938)
--The Runaway Queen (aka 'The Queen's Affair'; Herbert Wilcox, 1934)
--Rustler's Paradise (Harry L. Fraser, 1935)
230
--The Rustler's Roundup (Henry MacRae, 1933)
--Sail Into Danger (aka 'El aventurero'; Ricardo Gascón and Kenneth Hume, 1957)
--Sailor's Holiday (William Berke, 1944)
--Sam Small Leaves Town (Alfred J. Goulding, 1937)
--The Santa Fe Trail (Otto Brower and Edwin H. Knopf, 1930)
--Savage! (Arthur A. Jones, 1962)
--Scandal (Wesley Ruggles, 1929)
--Scandal Street (James P. Hogan, 1938)
--Scandals of Paris (aka 'There Goes Susie'; Victor Hanbury and John Stafford, 1934)
--Scattergood Pulls the Strings (Christy Cabanne, 1941)
240
--Scattergood Rides High (Christy Cabanne, 1942)
--School for Husbands (Andrew Marton, 1937)
--Scruffy (Randall Faye, 1938)
--Sea Tiger (Frank McDonald, 1952)
--Second Bureau (Victor Hanbury, 1936)
--Second Wife (Russell Mack, 1930)
--The Secret Door (Gilbert Kay, 1964)
--The Secret Seven (James Moore, 1940)
--Secrets of a Woman's Temple (aka 'Hiroku onnadera'; Tokuzô Tanaka, 1969)
--See America Thirst (William James Craft, 1930)
250
--See How They Run (Leslie Arliss, 1955)
--Seeds of Freedom (Hans Burger and Sergei M. Eisenstein, 1943)
--Señora casada necesita marido (aka 'A Married Woman Needs a Husband'; James Tinling, 1935)
--The Sergeant Was a Lady (Bernard Glasser, 1961)
--Sexton Blake and the Mademoiselle (Alex Bryce, 1935)
--The Shadow of Mike Emerald (Maclean Rogers, 1936)
--Shadow of the Past (Mario Zampi, 1950)
--The Shady Lady (Edward H. Griffith, 1928)
--Shanghaied Love (George B. Seitz, 1931)
--The Shannons of Broadway (Emmett J. Flynn, 1929)
260
--She Got What She Wanted (James Cruze, 1930)
--She Was Only a Village Maiden (Arthur Maude, 1933)
--The She-Wolf (James Flood, 1931)
--The She-Wolf (aka 'U krutogo yara'; Aleksandr Muratov and Kira Muratova, 1962)
--Sheepdog of the Hills (Germain Burger, 1941)
--The Shepherd of the Hills (Ben Parker, 1964)
--The Shield of Faith (Norman Walker, 1956)
--Shop Angel (E. Mason Hopper, 1932)
--Show Girl (Alfred Santell, 1928)
--The Silent Invasion (Max Varnel, 1962)
270
--The Silent Witness (Ken Kennedy, 1962)
--The Silken Affair (Roy Kellino, 1956)
--The Silver Lining (Alan Crosland, 1932)
--Silver Spurs (Ray Taylor, 1936)
--The Sin of Mona Kent (Charles J. Hunt, 1961)
--Sing for Your Supper (Charles Barton, 1941)
--Sing While You Dance (D. Ross Lederman, 1946)
--The Singing Cop (Arthur B. Woods, 1938)
--Sisters (James Flood, 1930)
--The Sisters (aka 'Make Me a Woman'; Erricos Andreou, 1965)
280
--Sisters Under the Skin (David Burton, 1934)
--The Skin Game (aka 'K.I.L. 1'; Arnold L. Miller, 1962)
--The Sky Spider (Richard Thorpe, 1931)
--Sleeping Car (Anatole Litvak, 1933)
--Slippy McGee (Albert H. Kelley, 1948)
--Smithy (George King, 1933)
--Snafu (Jack Moss, 1945)
--So Long, Blue Boy (Gerald Gordon, 1973)
--So You Won't Talk (William Beaudine, 1935)
--Soak the Rich (Ben Hecht and Charles MacArthur, 1936)
290
--Sob Sister (Alfred Santell, 1931)
--Soldier, Sailor (Alexander Shaw, 1944)
--The Soldier's Tale (Michael Birkett, 1964)
--Someday (Michael Powell, 1935)
--Something Money Can't Buy (Pat Jackson, 1952)
--A Son Comes Home (Ewald André Dupont, 1936)
--Son of Mongolia (aka 'Syn Mongolii'; Ilya Trauberg, 1936)
--Song at Eventide (Harry Hughes, 1934)
--Song of Idaho (Ray Nazarro, 1948)
--The Song of Love (Erle C. Kenton, 1929)
300
--Song of My Heart (Benjamin Glazer, 1948)
--Song of the Drifter (Lambert Hillyer, 1948)
--Song of the Forge (Henry Edwards, 1937)
--Sooky (Norman Taurog, 1931)
--So's Your Uncle (Jean Yarbrough, 1943)
--A Southern Maid (Harry Hughes, 1934)
--Special Edition (Redd Davis, 1938)
--Speed Wings (Otto Brower, 1934)
--Splitting Up (aka 'Uit elkaar'; Herman van Veen, 1979)
--A Sporting Chance (George Blair, 1945)
310
--A Spot of Bother (David MacDonald, 1938)
--Spring Affair (Bernard B. Ray, 1960)
--Springtime (aka 'Spring Song'; Montgomery Tully, 1946)
--Springtime On the Volga (aka 'Devichya vesna'; Venyamin Dorman and Genrikh Oganisyan, 1960)
--Spurs (B. Reeves Eason, 1930)
--Spy of Napoleon (Maurice Elvey, 1936)
--The Squealer (Harry Joe Brown, 1930)
--Stage to Chino (Edward Killy, 1940)
--Star of Hong Kong (aka 'Honkon no hoshi'; Yasuki Chiba, 1962)
--Star of My Night (Paul Dickson, 1954)
320
--Stars Over Arizona (Robert N. Bradbury, 1937)
--State Trooper (D. Ross Lederman, 1933)
--Stefania (aka 'I Stefania'; Giannis Dalianidis, 1966)
--Stories from a Flying Trunk (Christine Edzard, 1979)
--Stork Bites Man (Cy Endfield, 1947)
--Stork Talk (Michael Forlong, 1962)
--Storm in a Water Glass (aka 'Die Blumenfrau von Lindenau'; Georg Jacoby, (1931)
--Stormy (Lew Landers, 1935)
--Straight from the Heart (Scott R. Beal, 1935)
--Straight from the Shoulder (Stuart Heisler, 1936)
330
--Straight to Heaven (Arthur H. Leonard, 1939)
--Strange Cargo (Benjamin Glazer and Arthur Gregor, 1929)
--Strange Case of Dr. Meade (Lewis D. Collins, 1938)
--Strange Conquest (John Rawlins, 1946)
--Strange Voyage (Irving Allen, 1946)
--Stranger at My Door (Desmond Leslie and Brendan J. Stafford, 1950)
--Street Bandits (R.G. Springsteen, 1951)
--The Street Singer (Jean de Marguenat, 1937)
--Strictly for the Birds (Vernon Sewell, 1964)
--Strictly Illegal (Ralph Ceder, 1935)
340
--Strictly Modern (William A. Seiter, 1930)
--Summer Lightning (Maclean Rogers, 1933)
--Summerdog (John Clayton, 1977)
--Sunshine Ahead (Wallace Orton, 1936)
--The Supreme Secret (Norman Walker, 1958)
--The Surgeon's Knife (Gordon Parry, 1957)
--Susie Steps Out (Reginald Le Borg, 1946)
--Sweet Smell of Love (aka 'Una vergine per un bastardo'; Edward Dein and Ubaldo Ragona, 1966)
--Sweetheart of Sigma Chi (Jack Bernhard and William Beaudine [uncredited], 1946)
--The Swellhead (James Flood, 1930)
350
--Swinging the Lead (David MacKane, 1934)
--Taffy and the Jungle Hunter (Terry O. Morse, 1965)
--Tahiti Nights (Will Jason, 1944)
--Take Me Over (Robert Lynn, 1963)
--Take My Tip (Herbert Mason, 1937)
--Take Off That Hat (Eric Humphriss, 1938)
--Take the Heir (Lloyd Ingraham, 1930)
--Talk About Jacqueline (Harold French and Paul L. Stein, 1942)
--Talk of the Devil (Carol Reed, 1936)
--The Tall Women (aka 'Las 7 magnificas'; Rudolf Zehetgruber, Gianfranco Parolini and Sidney W. Pink, 1966)
360
--Tanga-Tika (aka 'Tahiti My Island'; Dwight Long, 1953)
--Tangier Incident (Lew Landers, 1953)
--Tarnished Heroes (Ernest Morris, 1961)
--Taxi for Two (Denison Clift and Alexander Esway, 1929)
--Te quiero con locura (John Boland, 1935)
--Television Talent (Robert Edmunds, 1937)
--Ten Minute Alibi (Bernard Vorhaus, 1935)
--Tesha (Edwin Greenwood and Victor Saville, 1928)
--Texas Pioneers (Harry L. Fraser, 1932)
--That Man George! (aka 'L'homme de Marrakech'; Jacques Deray, 1966)
370
--Them Nice Americans (Anthony Young, 1958)
--There's Magic in Music (aka 'The Hard-Boiled Canary'; Andrew L. Stone, 1941)
--The Third Alarm (Emory Johnson, 1930)
--Third of a Man (Robert Lewin, 1962)
--This Thing Called Love (Paul L. Stein, 1929)
--Those Kids from Town (Lance Comfort, 1942)
--Three Kids and a Queen (Edward Ludwig, 1935)
--The Three Sisters (Paul Sloane, 1930)
--The Three Sisters (Paul Bogart, 1966)
--Three Tales of Chekhov (aka 'Tri rasskaza Chekhova'; Meri Anjaparidze, Eduard Bocharov and Irina Poplavskaya, 1959)
380
--The Throwback (Ray Taylor, 1935)
--Thunder in the Blood (aka 'Colère froide'; André Haguet and Jean-Paul Sassy, 1960)
--Thunder Over Sangoland (Sam Newfield, 1955)
--The Thundering West (Sam Nelson, 1939)
--Timbuctoo (Walter Summers, 1933)
--Times Square (Joseph Boyle, 1929)
--To What Red Hell (Edwin Greenwood, 1929)
--Tonight a Town Dies (aka 'Dzis w nocy umrze miasto'; Jan Rybkowski, 1961)
--Tonight at Twelve (Harry A. Pollard, 1929)
--Tonight's the Night (aka 'Tonight's the Night: Pass It On'; Monty Banks, 1931)
390
--Too Dangerous to Live (Anthony Hankey and Leslie Norman, 1939)
--Too Many Millions (Harold Young, 1934)
--Too Many Wives (George King, 1933)
--Topsy-Turvy Journey (aka 'Gyakuten ryoko'; Masaharu Segawa, 1969)
--Touch Me Not (aka 'The Hunted'; Douglas Fithian, 1974)
--Trail of Terror (Robert N. Bradbury, 1935)
--The Train Goes to Kiev (aka 'Gody molodye'; Aleksei Mishurin, 1959)
--The Trap Door (Beth B and Scott B, 1980)
--Trapped in the Sky (Lewis D. Collins, 1939)
--Treachery on the High Seas (Emil E. Reinert, 1936)
400
--The Treasure of Makuba (aka 'El tesoro de Makuba'; José María Elorrieta, 1967)
--Trouble (Maclean Rogers, 1933)
--Trouble in Morocco (Ernest B. Schoedsack, 1937)
--Trust the Navy (Lupino Lane, 1935)
--The Turners of Prospect Road (Maurice J. Wilson, 1947)
--Tuxedo Junction (Frank McDonald, 1941)
--Twelve Good Men (Ralph Ince, 1936)
--Twice Branded (Maclean Rogers, 1936)
--Two and One Two (aka 'Dos más uno dos'; John Reinhardt, 1934)
--Two Fisted (James Cruze, 1935)
410
--Two for Danger (George King, 1940)
--Two Gals and a Guy (Alfred E. Green, 1951)
--Two Gun Troubador (Bernard B. Ray, 1939)
--Two Hearts in Harmony (William Beaudine, 1935)
--Two Hearts in Waltz Time (Carmine Gallone and Joe May, 1934)
--Two Solitudes (Lionel Chetwynd, 1978)
--Two Tickets to London (Edwin L. Marin, 1943)
--Two's Company (Tim Whelan, 1936)
--Tyrant of the Sea (Lew Landers, 1950)
--Underneath the Arches (Redd Davis, 1937)
420
--The Unknown Ranger (Spencer Gordon Bennet, 1936)
--Unknown Woman (Albert S. Rogell, 1935)
--Unmasked (Edgar Lewis, 1929)
--The Unwelcome Stranger (Phil Rosen, 1935)
--Up for the Derby (Maclean Rogers, 1933)
--The Vanishing Frontier (Phil Rosen, 1932)
--Vanity (Adrian Brunel, 1935)
--Variety Parade (Oswald Mitchell, 1936)
--The Veiled Woman (Emmett J. Flynn, 1929)
--The Violent and the Damned (Carlos Hugo Christensen and Jerry Warren, 1962)
430
--The Virginia Judge (Edward Sedgwick, 1935)
--Virginia's Husband (Maclean Rogers, 1934)
--The Virtuous Husband (Vin Moore, 1931)
--The Vulture (Ralph Ince, 1937)
--Waiting for Caroline (Ron Kelly, 1969)
--Wake Up Famous (Gene Gerrard, 1937)
--Wall Street (Roy William Neill, 1929)
--The Wallet (Morton M. Lewis, 1952)
--Wanted by Scotland Yard (Norman Lee, 1939)
--War Correspondent (Paul Sloane, 1932)
440
--The Wayside Pebble (aka 'Robo no ishi'; Seiji Hisamatsu, 1960)
--We Will Remember (aka 'Senjo ni nagareru uta'; Zenzô Matsuyama, 1965)
--Web of Violence (aka '3 notti violente'; Nick Nostro, 1966)
--The Webster Boy (Don Chaffey, 1962)
--Weekend Millionaire (this isn't even mentioned in IMDb; Arthur B. Woods, 1937)
--Westbound Mail (Folmar Blangsted, 1937)
--The Westerner (David Selman, 1934)
--What a Man! (Edmond T. Gréville, 1938)
--What Am I Bid? (Gene Nash, 1967)
--What Do We Do Now? (Charles Hawtrey, 1945)
450
--What Happened to Harkness? (Milton Rosmer, 1934)
--What Men Want (Ernst Laemmle, 1930)
--When We Are Married (Lance Comfort, 1943)
--Where's Sally? (Arthur B. Woods, 1936)
--Whispering Enemies (Lewis D. Collins, 1939)
--Whispering Joe (aka 'Sasayaki no Jô'; Kôichi Saitô, 1967)
--The White Devil (aka 'Il diavolo bianco'; Nunzio Malasomma, 1947)
--White Eagle (Lambert Hillyer, 1932)
--White Ensign (John Hunt, 1934)
--White Hunter (George Michael, 1965)
460
--The White Lilac (Albert Parker, 1935)
--White Rose of Hong Kong (aka 'Honkon no shiroibara'; Jun Fukuda, 1965)
--Who Killed the Cat? (Montgomery Tully, 1966)
--Why Pick on Me? (Maclean Rogers, 1937)
--Widow's Might (Cyril Gardner, 1935)
--A Wife or Two (Maclean Rogers, 1936)
--Willy (Allan A. Buckhantz, 1962)
--Windfall (Frederick Hayward and George King, 1935)
--Windfall (Henry Cass, 1955)
--Wine, Women and Song (Herbert Brenon, 1933)
470
--Wings of Chance (Eddie Dew, 1961)
--The Winter's Tale (Frank Dunlop, 1967)
--Wire Service (this isn't even mentioned in IMDb; Paul De Luca, 1942)
--Wise Guys (Harry Langdon, 1937)
--Without Honors (William Nigh, 1932)
--Wives Never Know (Elliott Nugent, 1936)
--Wolf's Clothing (Andrew Marton, 1936)
--A Woman Is the Judge (Nick Grinde, 1939)
--Woman of Sin (aka 'La moucharde'; Guy Lefranc, 1958)
--Woman to Woman (Maclean Rogers, 1947)
480
--Womanhood (Harry Hughes, 1934)
--A Woman's Temptation (Godfrey Grayson, 1959)
--Women in Prison (aka 'Jôshû to tomo ni'; Seiji Hisamatsu, 1956)

Notes: --The film 'Ace High' (Giuseppe Colizzi, 1968) was documented twice, thankfully both as 2-starred entries.
--'Clair de femme' (Costa-Gavras, 1979) was documented twice, as 1 and 2-stars. The 1-star entry was seen first, and thus recorded that way.
--'Edge of Hell' (Hugo Haas, 1956) was documented twice, thankfully both as 2-starred entries.
--'El hombre que mató a Billy el Niño' (Julio Buchs, 1967) was documented twice, as 1 and 2-stars. The 2-star entry was seen first, and thus recorded that way.
--'L'étoile du Nord' (Pierre Granier-Deferre, 1982) was listed separately as 1 and 2-star entries. The 1-star came first and was thus recorded that way.
--'The Greenwood Tree' (Harry Lachman, 1929) was listed separately as zero and 2-star entries. The zero-star came first and was thus recorded that way.
--'Il sorriso del grande tentatore' (Damiano Damiani, 1973) was listed separately as 1 1/2 and 2-star entries. The 1 1/2-star came first and was thus recorded that way.
--'Jealousy, Italian Style' (Ettore Scola, 1970) was listed separately as 2 and 2 1/2-star entries. The 2-star came first and was thus recorded that way.
--'The Lawton Story' (William Beaudine and Harold Daniels, 1949) was listed separately as 1 1/2 and 2-star entries. The 2-star came first and was thus recorded that way.
--'Los desesperados' (Julio Buchs, 1969) was listed separately as 1 and 2-star entries. The 2-star came first and was thus recorded that way.
--'Mafia' (Damiano Damiani, 1968) was listed separately as 2 and 3-star entries. The 3-star came first and was thus recorded that way.
--'A mezzanotte va la ronda del piacere' (Marcello Fondato, 1975) was listed separately as 2 1/2 and 2-star entries. The 2 1/2-star came first and was thus recorded that way.
--'Michael O'Halloran' (Karl Brown, 1937) was listed separately as 1 and 2-star entries. The 1-star came first and was thus recorded that way.
--'Una moglie americana' (Gian Luigi Polidoro, 1965) was listed separately as 2 and 2 1/2-star entries. The 2-star came first and was thus recorded that way.
--'Money for Speed' (Bernard Vorhaus, 1933) was listed separately as 1 and 2-star entries. The 1-star came first and was thus recorded that way.
--'Naked Fury' (Charles Saunders, 1959) was listed separately as 2 and 2 1/2-star entries. The 2 1/2-star came first and was thus recorded that way.
--'Orphan of the Wilderness' (Ken G. Hall, 1936) was listed twice, under different titles, both as 2 and 2 1/2-starred. The 2 1/2-star entry came first, and was thus how I registered it.
--'Police Python 357' (Alain Corneau, 1976) was listed separately as 2 and 3-star entries. The 2-star came first and was thus recorded that way.
--'The Stranger Returns' (Luigi Vanzi, 1967) was documented twice, thankfully both as 2-starred entries.
--'War Dogs' (S. Roy Luby, 1942) was documented twice, thankfully both as 2-starred entries.
--'The Way of Lost Souls' (Paul Czinner, 1929) was listed separately as 1 and 2-star entries. The 2-star came first and was thus recorded that way.
--'Wild West' (Robert Emmett Tansey, 1946) was listed separately as 1 1/2 and 2-star entries. The 2-star came first and was thus recorded that way.

Hopefully you will enjoy these lists from it as well as I have!

Sincerely,
William Wood Windsor, Ontario, Canada November, 2017