As I've become more enthralled by cinema over the years, I have cherished reading all I possibly could about my favourite hobby. A fine resource I have discovered has been 'The Motion Picture Guide' which, in 1985, came out for films 1927-1983, then they put out annual guides till about 1999. I wish they kept on making them up to the present!

I stopped at 3200--Part II continues from there. This covers up to Page 1725 (in Volume V). Counting ones listed below, 405 (not listed in Letterboxd) the total is 3605.

This list is one of 12. There are 11, ranging by half-star increments from zero to five stars, and, inexplicably for one year, they refused to give an objectifiable rating for the films, then returned to doing so the following year. I fervently wish that when they did so, they retroactively, at least as a footnote, and to be complete, gave a star-rating for the year they had comparatively neglected.

This list of 'two-star' rated films represents 'fair' films, and would be comparable the 4/10 score on IMDb. Two-star films that were listed in 'The Motion Picture Guide' that WEREN'T on Letterboxd were:
--The Adventures of Don Coyote (Reginald Le Borg, 1947)
--Det är min modell (aka 'Affairs of a Model'; Gustaf Molander, 1946)
--Affairs of a Rogue (aka 'The First Gentleman'; Alberto Cavalcanti, 1948)
--Against the Law (aka 'Urgent Call'; Lambert Hillyer, 1934)
--Air Hostess (Lew Landers, 1949)
--Aladdin and His Lamp (Lew Landers, 1952)
--Alaska Patrol (Jack Bernhard, 1949)
--Alerte au sud (aka 'Alert in the South' or 'Alarm in Morocco'; Jean-Devaivre, 1953)
--The All-American (aka 'Sport of a Nation'; Russell Mack and George Stevens [uncredited], 1932)
--All for Mary (Wendy Toye, 1955)

--All In (Marcel Varnel, 1936)
--The American Prisoner (Thomas Bentley, 1929)
--Among Human Wolves (aka 'Secret Journey'; John Baxter, 1939)
--An Angel Comes to Brooklyn (Leslie Goodwins, 1945)
--Angelo (aka 'Il mulatto'; Francesco De Robertis, 1950)
--Angelo in the Crowd (aka 'Strange Witness' or 'Angelo tra la folla'; Leonardo De Mitri and Francesco De Robertis, 1950)
--Annapolis Farewell (aka 'Gentlemen of the Navy'; Alexander Hall, 1935)
--Apollo Goes on Holiday (aka 'Epiheirisis Apollon'; George Skalenakis, 1968)
--The Argyle Case (Howard Bretherton, 1929)
--Arthur Takes Over (Malcolm St. Clair, 1948)

--As Good as Married (Edward Buzzell, 1937)
--At the Ridge (this wasn't even mentioned in IMDb; John P. McCarthy, 1931)
--Azurexpress (Béla Balogh, 1938)
--Badger's Green (John Irwin, 1949)
--Ballerina (aka 'Dream Ballerina'; Ludwig Berger, 1950)
--Band of Thieves (Peter Bezencenet, 1962)
--Bandits on the Wind (aka 'Yato kaze no naka o hashiru'; Hiroshi Inagaki, 1961)
--Barnacle Bill (Harry Hughes, 1935)
--The Bay of St. Michel (aka 'Pattern for Plunder'; John Ainsworth, 1963)
--Behind Your Back (Donovan Pedelty, 1937)

--The Belles of St. Clements (Ivar Campbell, 1936)
--Beloved (Victor Schertzinger, 1934)
--Beyond the Law (D. Ross Lederman, 1934)
--Big Executive (Erle C. Kenton, 1933)
--The Big Party (John G. Blystone, 1930)
--The Big Payoff (this isn't mentioned in IMDb; Ford Beebe, 1933)
--The Big Race (Fred C. Newmeyer, 1934)
--Big Time (Kenneth Hawks, 1929)
--Birds of a Feather (John Baxter, 1935)
--Birth of a Baby (Al Christie, 1938)

--Black Bandit (George Waggner, 1938)
--Black Beauty (Phil Rosen, 1933)
--Blind Justice (Bernard Vorhaus, 1934)
--Blockade (aka 'Q-Ships'; Geoffrey Barkas and Michael Barringer, 1928)
--Blonde Trouble (George Archainbaud, 1937)
--Blondes for Danger (Jack Raymond, 1938)
--The Blue Country (aka 'Le pays bleu'; Jean-Charles Tacchella, 1977)
--Boxer (aka 'Bokser'; Julian Dziedzina, 1967)
--Boyd's Shop (Henry Cass, 1960)
--Breakfast in Bed (William Haugse, 1977)

--Breezing Home (Milton Carruth, 1937)
--Bride with a Dowry (aka 'Svadba s pridanym'; Tatyana Lukashevich, 1954)
--The Broadway Hoofer (George Archainbaud, 1929)
--Brothers (aka 'Blood Brothers'; Walter Lang, 1930)
--The Brown Wallet (Michael Powell, 1936)
--Bucket of Blood (aka 'The Tell-Tale Heart'; Brian Desmond Hurst, 1934)
--The Burning Years (aka 'Anni struggenti'; Vittorio Sindoni, 1979)
--California Frontier (Elmer Clifton, 1938)
--Calypso (Golfiero Colonna and Franco Rossi, 1958)
--Can You Hear Me, Mother? (Leslie Pearce, 1935)

--Captain Tugboat Annie (Phil Rosen, 1945)
--The Carnation Kid (E. Mason Hopper and Leslie Pearce, 1929)
--Catch As Catch Can (aka 'Atlantic Episode'; Roy Kellino, 1937)
--Caught Short (Charles Reisner, 1930)
--Cheaters (Phil Rosen, 1934)
--A Child Is a Wild Young Thing (Peter Sudarsky, 1976)
--Child Under a Leaf (George Bloomfield, 1974)
--Chips (Edward Godal, 1938)
--Christina (Paul Krasny, 1974)
--Circus Boy (Cecil Musk, 1947)

--Citizen Saint (Harold Young, 1947)
--Clear the Decks (Joseph Henabery, 1929)
--Clothes and the Woman (Albert de Courville, 1937)
--The Clouded Crystal (Alan Cullimore, 1948)
--The Clue of the New Pin (Arthur Maude, 1929)
--Cognasse (Louis Mercanton, 1932)
--The Cohens and Kellys in Atlantic City (William James Craft, 1929)
--The Cohens and Kellys in Trouble (George Stevens, 1933)
--Colonel Blood (W.P. Lipscomb, 1934)
--Colonel Bogey (Terence Fisher, 1948)

--The Colorado Trail (Sam Nelson, 1938)
--Come Dance with Me (Mario Zampi, 1950)
--Coming of Age (H. Manning Haynes, 1938)
--The Compulsory Wife (Arthur B. Woods, 1937)
--Computer Free-for-All (aka 'Kureji no buchamukure daihakken'; Kengo Furusawa, 1969)
--Continental Express (aka 'The Silent Battle'; Herbert Mason, 1939)
--Crash Donovan (William Nigh and Jean Negulesco, 1936)
--Crazy People (Leslie S. Hiscott, 1934)
--The Crime of Peter Frame (aka 'Second Thoughts'; Albert Parker, 1938)
--Crime Over London (Alfred Zeisler, 1936)

--Crime Takes a Holiday (Lewis D. Collins, 1938)
--The Crooked Billet (Adrian Brunel, 1929)
--Cross My Heart (aka 'Loaded Dice'; Bernard Mainwaring, 1937)
--The Crowning Touch (David Eady, 1959)
--The Cyclone Ranger (Robert F. Hill, 1935)
--Dangerous Assignment (Ben R. Hart, 1950)
--Dangerous Intrigue (David Selman, 1936)
--Dangerous Millions (James Tinling, 1946)
--Dangerously Yours (Frank Tuttle, 1933)
--Danny Boy (Oswald Mitchell, 1934)

--The Dark Stairway (Arthur B. Woods, 1938)
--Date at Midnight (Godfrey Grayson, 1959)
--Debt of Honour (Norman Walker, 1936)
--The Deceiver (Louis King, 1931)
--The Defense of Volotchayevsk (aka 'Volochayevskiye dni' or 'Volochayesk Days'; Sergey Vasilev and Georgi Vasilyev, 1938)
--Der Freischütz (Joachim Hess, 1968)
--Design for Loving (Godfrey Grayson, 1962)
--The Desperate Ones (Alexander Ramati, 1967)
--Destiny (aka 'Il destino'; Mario Mattoli, 1938)
--The Devil Tiger (Clyde E. Elliott, 1934)

--Devil's Harbor (aka 'Devil's Point'; Montgomery Tully, 1954)
--The Devil's Henchmen (this was incorrectly spelled in IMDb; Seymour Friedman, 1949)
--The Devil's Jest (Alfred J. Goulding, 1954)
--Diamond Safari (Gerald Mayer, 1958)
--Diary of a Nazi (aka 'Boyevoy kinosbornik 9'; Vladimir Braun, Mark Donskoy and Igor Savchenko, 1942)
--Disillusion (aka 'La gerla di papà Martin'; Mario Bonnard, 1940)
--Distant Trumpet (Terence Fisher, 1952)
--Dr. Josser, K.C. (Milton Rosmer, 1931)
--Dr. Sin Fang (aka 'Chinatown Nights'; Toni Frenguelli, 1938)
--The Doctors (aka 'Les hommes en blanc'; Ralph Habib, 1955)

--Dodging the Dole (John E. Blakeley, 1936)
--Don Chicago (Maclean Rogers, 1945)
--Don't Call Me a Con Man (aka 'Crazy Adventure'; Kengo Furusawa, 1965)
--Don't Get Me Wrong (Reginald Purdell and Arthur B. Woods, 1937)
--Don't Rush Me (aka 'Mother, Don't Rush Me'; Norman Lee, 1936)
--Double Deception (aka 'Les magiciennes'; Serge Friedman, 1960)
--Double or Quits (Roy William Neill, 1938)
--Doubles (Bruce Wilson, 1978)
--Down on the Farm (Malcolm St. Clair, 1938)
--Down Our Street (Harry Lachman, 1932)

--The Dozens (Randall Conrad and Christine Dall, 1981)
--Dragon Sky (aka 'L'oiseau de paradis'; Marcel Camus, 1962)
--Dream of Schönbrunn (aka 'Traum von Schönbrunn'; Johannes Meyer, 1932)
--The Dream of the Red Chamber (aka 'Hing Lou Meng'; Wang Ping, 1966)
--The Drifter (Alex Matter, 1966)
--Drifting Westward (Robert F. Hill, 1939)
--The Durant Affair (Godfrey Grayson, 1962)
--Earl of Puddlestone (Gus Meins, 1940)
--Early to Bed (Ludwig Berger, 1933)
--East China Sea (aka 'Higashi shinakai'; Tadahiko Isomi, 1968)

--East of Java (George Melford, 1935)
--East Side Sadie (Sidney M. Goldin, 1929)
--Easy Money (Redd Davis, 1934)
--Easy to Look at (Ford Beebe, 1945)
--Educated Evans (William Beaudine, 1936)
--Eight Girls in a Boat (aka 'Acht Mädels im Boot'; Erich Waschneck, 1932)
--El Alaméin (Fred F. Sears, 1953)
--Elmer and Elsie (Gilbert Pratt, 1934)
--The Enchanted Valley (Robert Emmett Tansey, 1948)
--Engagement Italiano (aka 'La ragazza in prestito'; Alfredo Giannetti, 1964)

--Enter Inspector Duval (Max Varnel, 1961)
--Escape from Devil's Island (Albert S. Rogell, 1935)
--Escape from Terror (aka 'Flugten til Danmark'; George and Jackie Coogan, 1955)
--Escape to the Sun (Menahem Golan, 1972)
--Everybody Dance (Charles Reisner, 1936)
--Everybody's Dancin' (Will Jason, 1950)
--Everybody's Old Man (James Flood, 1936)
--Everything Happens to Me (Roy William Neill, 1938)
--Evidence (John G. Adolfi, 1929)
--Ex-Champ (Phil Rosen, 1939)

--Excess Baggage (Redd Davis, 1933)
--Eyes of Fate (Ivar Campbell, 1933)
--F-Man (Edward F. Cline, 1936)
--Fabian of the Yard (Antony Beauchamp and Edward Thompson, 1954)
--The Fabulous Suzanne (Steve Sekely, 1946)
--Faithful (Paul L. Stein, 1936)
--The Fall of Eve (Frank R. Strayer, 1929)
--False Evidence (Donovan Pedelty, 1937)
--Farewell, My Beloved (aka 'Wakare'; Hideo Ôba, 1969)
--Farewell to Cinderella (Maclean Rogers, 1937)

--Fast Companions (Kurt Neumann, 1932)
--Fatal Desire (Carmine Gallone, 1953)
--The Fatal Hour (George Pearson, 1937)
--Father and Son (Erle C. Kenton, 1929)
--Father Makes Good (Jean Yarbrough, 1950)
--Fathers and Sons (aka 'Ottsy i deti'; Adolf Bergunker and Natalya Rashevskaya, 1959)
--Fifty-Shilling Boxer (Maclean Rogers, 1937)
--Fight to the Last (Y.C. Cheng, 1938)
--Fighting Pioneers (Harry L. Fraser, 1935)
--The Fighting Wildcats (aka 'West of Suez'; Keefe Brasselle and Arthur Crabtree, 1957)

--Fighting Youth (Hamilton MacFadden, 1935)
--Fingers (Herbert Mason, 1941)
--The Firebrand (Maury Dexter, 1962)
--The First Baby (Lewis Seiler, 1936)
--The First Mrs. Fraser (Thorold Dickinson and Sinclair Hill, 1932)
--The First Offence (Herbert Mason, 1936)
--First Start (aka 'Pierwszy start'; Leonard Buczkowski, 1951)
--First Taste of Love (aka 'Les nymphettes'; Henri Zaphiratos,1961)
--Five Giants from Texas (aka 'I 5 della vendetta'; Aldo Florio, 1966)
--Flame of Calcutta (Seymour Friedman, 1953)

--Flaming Fury (George Blair, 1949)
--The Flaw (Norman Walker, 1933)
--Flight to Fame (Charles C. Coleman, 1938)
--Flood Tide (John Baxter, 1934)
--Fog (Albert S. Rogell, 1933)
--Follow That Woman (Lew Landers, 1945)
--The Forgotten Woman (Harold Young, 1939)
--48 Hours to Live (aka 'Man in the Middle' or 'Med fara för livet'; Peter Bourne, 1959)
--45 Fathers (James Tinling, 1937)
--49 Days (aka '49 Dney'; Genrikh Gabay, 1962)

--The Four Masked Men (George Pearson, 1934)
--Freddie Steps Out (Arthur Dreifuss, 1946)
--French Leave (Norman Lee, 1937)
--The French Way (aka 'Fausse alerte'; Jacques de Baroncelli, 1945)
--The Friendly Killer (aka 'Noboriryu tekkahada'; Teruo Ishii, 1970)
--Friends and Neighbours (Gordon Parry, 1959)
--Frisco Waterfront (Arthur Lubin and Joseph Santley, 1935)
--The Frog (Jack Raymond, 1937)
--The Fugitive (Harry L. Fraser, 1933)
--Fugitive at Large (Lewis D. Collins, 1939)

--The Gallant One (Aaron Stell, 1964)
--The Gamblers (Ron Winston, 1970)
--The Gang (aka 'The Gang Show'; Alfred J. Goulding, 1938)
--The Garbage Man (Eric Sayers, 1965)
--Gavilan (William J. Jugo, 1968)
--The Gay Senorita (Arthur Dreifuss, 1945)
--General John Regan (Henry Edwards, 1933)
--The Genie (Lance Comfort and Lawrence Huntington, 1953)
--A Gentle Gangster (Phil Rosen, 1943)
--George Washington Carver (Ben Parker, 1940)

--Geraldine (Melville W. Brown, 1929)
--Geraldine (R.G. Springsteen, 1953)
--The Ghost Talks (Lewis Seiler, 1929)
--Ginger (Oliver Drake, 1946)
--The Girl from Alaska (Nick Grinde and William Witney [uncredited], 1942)
--Girl from Avenue A (Otto Brower, 1940)
--The Girl in Possession (Monty Banks, 1934)
--Girl in the Woods (Tom Gries, 1958)
--The Girl Is Mine (Marjorie Deans, 1950)
--The Girl of the Limberlost (Mel Ferrer, 1945)

--The Girl with Three Camels (aka 'Dívka s tremi velbloudy'; Václav Krska, 1967)
--Give Me the Stars (Maclean Rogers, 1945)
--Glamour Girl (Arthur B. Woods, 1938)
--God's Country and the Man (Robert N. Bradbury, 1937)
--The Golden Cage (Ivar Campbell, 1933)
--The Golden Calf (aka 'Her Golden Calf'; Millard Webb, 1930)
--The Golden Trail (Albert Herman, 1940)
--The Good Old Days (Roy William Neill, 1940)
--Goodbye, Moscow (aka 'Saraba Mosukuwa gurentai'; Hiromichi Horikawa, 1968)
--Got It Made (James Kenelm Clarke, 1974)

--The Grand Escapade (John Baxter, 1947)
--Grand Prix (St. John Legh Clowes, 1934)
--The Great Dawn (aka 'La grande aurora'; Giuseppe Maria Scotese, 1947)
--The Great Plane Robbery (Lewis D. Collins, 1940)
--Greh (aka 'Am Anfang war es Sünde' or 'The Beginning Was Sin'; Frantisek Cáp, 1954)
--Guilty Trails (George Waggner, 1938)
--Guinguette (Jean Delannoy, 1959)
--Half a Sinner (Kurt Neumann, 1934)
--Handcuffed (Duke Worne, 1929)
--Handcuffs, London (Bernard Knowles, 1955)

--Handle with Care (John K. McCarthy, 1964)
--Harbor Light Yokohama (aka 'Kiri ni musebu yoru'; Meijiro Umezu, 1968)
--Harpoon (Ewing Scott, 1948)
--Harvest Melody (Sam Newfield, 1943)
--He Loved an Actress (aka 'Mad About Money' or 'Stardust'; Melville W. Brown, 1938)
--Head of the Family (John Daumery, 1933)
--Head Office (Melville W. Brown, 1936)
--Headin' for God's Country (William Morgan, 1943)
--Headin' North (John P. McCarthy, 1930)
--The Headleys at Home (Chris Beute, 1938)

--Headline Hunters (William Witney, 1955)
--The Heart of a Man (Herbert Wilcox, 1959)
--Heart of Virginia (R.G. Springsteen, 1948)
--Heartbreak (Alfred L. Werker, 1931)
--Hearts in Exile (Michael Curtiz, 1929)
--Hearts of Humanity (John Baxter, 1936)
--Heat of the Summer (aka 'Chaleurs d'été'; Louis Félix, 1959)
--The Heirloom Mystery (Maclean Rogers, 1936)
--Hell on Devil's Island (Christian Nyby, 1957)
--Helldorado (James Cruze, 1935)

--Hello Trouble (Lambert Hillyer, 1932)
--Hell's Cargo (aka 'McGlusky the Sea Rover'; Walter Summers, 1935)
--Hell's Island (Edward Sloman, 1930)
--Henry, the Rainmaker (Jean Yarbrough, 1949)
--Her First Beau (Theodore Reed, 1941)
--Her Private Life (Alexander Korda, 1929)
--Heroes of the Range (Spencer Gordon Bennet, 1936)
--Heroes of the Sea (aka 'Moryaki'; Vladimir Braun, 1940)
--Hey, Rookie (Charles Barton, 1944)
--Hidden Gold (Arthur Rosson, 1932)

--The Hidden Menace (aka 'Star of the Circus'; Albert de Courville, 1938)
--Hideaway Girl (George Archainbaud, 1936)
--Hide-Out (Reginald Barker, 1930)
--High Jinks in Society (John Guillermin and Robert Jordan Hill, 1949)
--Highway to Battle (Ernest Morris, 1961)
--Hired Wife (George Melford, 1934)
--His Night Out (William Nigh, 1935)
--Hit Parade of 1947 (Frank McDonald, 1947)
--Hit Parade of 1951 (John H. Auer, 1950)
--The Hoax (Robert Anderson, 1972)

--Hold the Press (Phil Rosen, 1933)
--Holiday Rhythm (Jack Scholl, 1950)
--Holiday's End (John Paddy Carstairs, 1937)
--Hollywood Speaks (Edward Buzzell, 1932)
--Home Free All (Stewart Bird, 1984)
--Home from Home (Herbert Smith, 1939)
--Home, Sweet Home (George A. Cooper, 1933)
--Honeychile (R.G. Springsteen, 1951)
--The Honeymoon's Over (Eugene Forde, 1939)
--Hong Kong Affair (Paul F. Heard, 1958)

--Honours Easy (Herbert Brenon, 1935)
--Hot Water (Frank R. Strayer, 1937)
--The Hottentot (Roy Del Ruth, 1929)
--House Broken (Michael Hankinson, 1936)
--Howzer (Ken Luber, 1973)
--Human Targets (J.P. McGowan, 1932)
--Hunting in Siberia (aka 'Zverolovy'; Gleb Nifontov, 1959)
--I Give My Love (Karl Freund, 1934)
--I Like It That Way (Harry Lachman, 1934)
--I Stand Accused (John H. Auer, 1938)

--I'm an Explosive (Adrian Brunel, 1933)
--I'm from the City (Ben Holmes, 1938)
--I've Got a Horse (Herbert Smith, 1938)
--Idea Girl (Will Jason, 1946)
--If I Were Rich (Randall Faye, 1936)
--In Early Arizona (Joseph Levering, 1938)
--In the Headlines (John G. Adolfi, 1929)
--In Line of Duty (Bert Glennon, 1931)
--Injun fender (Robert Cordier, 1974)
--Inside Information (Charles Lamont, 1939)

--Invitation to Murder (Season 3/Episode 51 TV-movie of 16-season/452-episode TV-series 'Armchair Theatre'; Robert Lynn, 1959)
--Ireland's Border Line (aka 'Blarney'; Harry O'Donovan, 1938)
--Irish Whiskey Rebellion (Chester Erskine, 1972)
--It Can Be Done (Fred C. Newmeyer, 1929)
--It Happened in Canada (Luigi Petrucci, 1962)
--It Happened in New York (Alan Crosland, 1935)
--It's Hard to Be Good (Jeffrey Dell, 1948)
--It's You I Want (Ralph Ince, 1936)
--The Ivory-Handled Gun (Ray Taylor, 1935)
--Jane Steps Out (Paul L. Stein, 1938)

--Jaws of the Jungle (Eddie Granemann, 1936)
--Jetlag (aka 'Vértigo en Manhattan'; Gonzalo Herralde, 1981)
--Joe Palooka in Triple Cross (Reginald Le Borg, 1951)
--Johnny Comes Flying Home (Benjamin Stoloff, 1946)
--The Jones Family in Hollywood (Malcolm St. Clair, 1939)
--Josser Joins the Navy (Norman Lee, 1932)
--Journey Ahead (Peter Mills, 1947)
--Journey to Love (aka 'Buon viaggio, pover'uomo!'; Giorgio Pastina, 1953)
--Jupiter (Gilles Grangier, 1952)
--The Jury's Secret (Edward Sloman, 1938)

--Just My Luck (Jack Raymond, 1933)
--Justice of the Range (David Selman, 1935)
--Kelly of the Secret Service (Robert F. Hill, 1936)
--The Kidnappers (aka 'Man on the Run'; Eddie Romero, 1958)
--King of Hearts (Oswald Mitchell and Walter Tennyson, 1936)
--The King of Paris (Jack Raymond, 1934)
--Korea Patrol (Max Nosseck, 1951)
--La bonne soupe (aka 'Careless Love' or 'The Good Soup'; Robert Thomas, 1964)
--Ladies Love Danger (H. Bruce Humberstone, 1935)
--Lady Bodyguard (William Clemens, 1943)

--The Lady Escapes (Eugene Forde, 1937)
--The Lady Is Fickle (aka 'La donna è mobile'; Mario Mattoli, 1942)
--A Lady Mislaid (David MacDonald, 1958)
--The Lady's from Kentucky (Alexander Hall, 1939)
--Land of Fighting Men (Alan James, 1938)
--Land of Wanted Men (Harry L. Fraser, 1931)
--The Last Barricade (Alex Bryce, 1938)
--The Last Dance (Scott Pembroke, 1930)
--The Last Hill (aka 'Malakhov kurgan'; Iosif Kheifits and Aleksandr Zarkhi, 1944)
--The Last Load (John Baxter, 1948)

--The Last Man (Howard Higgin, 1932)
--The Last Rebel (aka 'El último rebelde'; Miguel Contreras Torres, 1958)
--The Last Waltz (Gerald Barry and Leo Mittler, 1936)
--Laugh Pagliacci (aka 'I pagliacci'; Giuseppe Fatigati, 1943)
--Laughing Irish Eyes (Joseph Santley, 1936)
--The Laughing Lady (Paul L. Stein, 1946)
--Lawless Border (John P. McCarthy, 1935)
--Lawless Breed (Wallace Fox, 1946)
--Lawless Code (Oliver Drake, 1949)
--Leather Gloves (William Asher and Richard Quine, 1948)

--Leave It to Henry (Jean Yarbrough, 1949)
--Leave It to Me (Herbert Smith, 1937)
--The Legend of a Bandit (aka 'La leyenda del bandido'; Fernando Méndez, 1944)
--Lend Me Your Wife (W.P. Kellino, 1935)
--L'énigmatique Monsieur Parkes (Louis J. Gasnier, 1930)
--Lest We Forget (Frank Badgley and W.W. Murray, 1935)
--Let Them Live (Harold Young, 1937)
--Let's Be Ritzy (Edward Ludwig, 1934)
--Let's Go Places (Frank R. Strayer, 1930)
--Let's Go Steady (Del Lord, 1945)

--Let's Live Again (Herbert I. Leeds, 1948)
--Lies My Father Told Me (Don Chaffey, 1960)
--The Life and Times of Chester-Angus Ramsgood (David Curnick, 1971)
--Life Begins with Love (Ray McCarey, 1937)
--Light Fingers (Joseph Henabery, 1929)
--Lightnin' in the Forest (George Blair, 1948)
--The Lightning Flyer (William Nigh, 1931)
--Lilies of the Field (Norman Walker, 1934)
--The Limbo Line (Samuel Gallu, 1968)
--Linda, Be Good (Frank McDonald, 1947)

--The Line-Up (Howard Higgin, 1934)
--Links of Justice (Max Varnel, 1958)
--Little Accident (William James Craft, 1930)
--Little Angel (aka 'The Smile of the Virgin'; Roberto Rodríguez, 1958)
--The Little Ballerina (Lewis Gilbert, 1947)
--Little Iodine (Reginald Le Borg, 1946)
--Little Miss Nobody (John Daumery, 1933)
--The Little Ones (Jim O'Connolly, 1965)
--The Little Wildcat (Ray Enright, 1928)
--The Live Wire (Herbert Brenon, 1937)

--Live Your Own Way (aka 'Wakamono tachi'; Tokahisa Morikawa, 1967)
--Living Between Two Worlds (Bobby Johnson, 1963)
--Lone Star Pioneers (Joseph Levering, 1939)
--The Long Knife (Montgomery Tully, 1958)
--The Long Shadow (Peter Maxwell, 1961)

Notes: --The film 'Adiós, Sabata' (Gianfranco Parolini, 1970) was listed twice in the Guide under different names, thankfully with the same two-star rating.
--'Anna di Brooklyn' (Carlo Lastricati, 1958) was listed twice in the Guide under different names, thankfully with the same two-star rating.
--'The Breaking Point' (Lance Comfort, 1961) was documented twice, as 1 and 2-stars. The 1-star entry was seen first, and thus recorded that way.
--'Counterblast' (Paul L. Stein, 1948) was listed separately as 2 and 3-star entries. The 2-star came first and was thus recorded that way.
--'Courage of Lassie' (Fred M. Wilcox, 1946) was listed separately as 2 and 3-star entries. The 2-star came first and was thus recorded that way.
--'Le doulos' (Jean-Pierre Melville, 1963) was listed separately as 2 and 3-star entries. The 2-star came first and was thus recorded that way.
--'Fatti di gente perbene' (Mauro Bolognini, 1974) was listed separately as 2 and 3-star entries. The 3-star came first and was thus recorded that way.
--'La fête à Henriette' (Julien Duvivier, 1952) was listed separately as 2 and 4-star entries. The 2-star came first and was thus recorded that way.
--'Un flic' (Jean-Pierre Melville) was listed twice in the Guide under different names, thankfully with the same two-star rating.
--'Frontier Hellcat' (Alfred Vohrer, 1964) was listed separately as 1 and 2-star entries. The 1-star came first and was thus recorded that way.
--'London Melody' (Herbert Wilcox, 1937) was listed twice, under different titles, as both 2 and 1 1/2-stars. Since the 2-starred title appeared first, that was how I listed it.
--'The Only Girl' (Friedrich Hollaender, 1934) was listed separately as 2 and 3-star entries. The 3-star came first and was thus recorded that way.

Hopefully you will enjoy these lists from it as well as I have!

Sincerely,
William Wood Windsor, Ontario, Canada October, 2017