I think I can finally articulate why Jojo Rabbit isn’t a very good movie

A little underdeveloped and a little melodramatic at times, but quite effectively uncomfortable in all the ways it intended to be, and I could look at Sean Price Williams’ work forever. The reds and blues in this immediately reminded me of his work with the Safdies, but I should’ve made the connection that he also shot Wobble Palace far sooner than I did watching Perry’s earlier films. I’m gonna blame the 16mm for fooling me.

See what happens when you just let talented people do their thing?

What the fuck did you think I would give this?