LOLA ★★★½

It’s a found footage film and it has alllll the found footage problems. That’s unfortunate. But the concept is great and there are easily half a dozen moments when it elevates into the sublime and you feel like you’re watching magic footage from a small chunk of time that’s lost forever. 

And man, the idea of two isolated women suddenly getting a window into a future where they can actually be people? Powerful opening statement, and Andrew Legge has the delicacy to let us figure that out on our own.

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