Sean Gilman’s review published on Letterboxd :
If I ever run an inn on a medieval Chinese border-crossing, remind me to invest heavily in extra tables, chairs, dishes and whatnot. Also to hire pretty waitresses that know kung fu.
At one point a portly waiter does a backflip and I'm 99% certain it's Sammo Hung doubling for him. It's a Sammo backflip.
Almost the entire film takes place within an inn, and in the main common room of the inn (there are a couple short sequences in one of the guest rooms and a side room). But Hu so constantly varies his camera set-ups, and keeps the plot always hurtling forward, that it never feels stagey in the way something like Key Largo does.
Like Dragon Gate Inn, the first half of the film chronicles the gathering and unmasking of the various heroes while the second half unfolds their fight against the villain. Also like that film, it features a collective hero rather than the serial heroes of Come Drink with Me, A Touch of Zen and Painted Skin.