Editor-in-Chief of The Film Stage.
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Men 2022
After personal trauma, a protagonist retreats to a secluded location for solace and inner reconciliation only to be further haunted. The set-up is familiar to many a horror film, but with Men being an Alex Garland creation, something more peculiar lurks behind this surface. A blend of the compact thrills of Ex Machina and the surreal oddities of Annihilation, his latest is delightfully inscrutable in its strangest moments yet thematically simplistic and disappointingly misshapen on the whole. Using misogyny—both subtly…
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The Northman 2022
Whether the dread-inducing rituals of witches or a turpentine-fueled descent into hysteria, Robert Eggers’ cinema is of unflinching immersion. Trapped in the center of symmetrical frames and surrounded by immaculate production design, the only escape for his characters’ fury seems to be bounding off the screen onto the audience themselves. The effect oscillates between entrancing and grating, wearing one down until there’s no choice but to succumb to the mania and plunge into the madness. A considerable step up in…
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West Side Story 2021
Only Steven Spielberg could make a shot of someone standing in a puddle one of the most beautiful images of the year.
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