Either the sound design rules or my sound bar is broken. Every footstep, every wrinkling of a piece of paper, all sound like they were recorded right next to the microphone with the feedback turned all the way up. Lynne Ramsay edits the shit out of her movies. With Morvern Callar and You Were Never Really Here especially, it feels like there’s a “normal” cut of the movie out there somewhere and she just chose to release the (for lack of a better word) remix, but they’re all the better for it. Speaking of, the soundtrack rules and Samantha Morton is fucking great.

My man Dan runnin’ to that score!

Maybe it’s just me, but for me, it’s kind of like the 90s are a character in the movie.