Éric Rohmer’s “Tales of the Four Seasons” series concludes with a rejection of all the follies of ordered time, to instead embrace of what time we are given.
“Autumn Tale” is a comedy of romantic errors depicting two well-intending women; one mature and with children; the other, barely older than a child herself. Each tries to partner their resolutely single 40-ish friend with two different men.
If this, perhaps, was a film made by a younger Rohmer, or depicting a…