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  • Indian



    par for the course shankar: never drags as much as it seems it should. every 20 minutes there's a song sequence or some dynamite vfx that blows off the doors

  • NGK



    feels like an unfinished work, but not without some charm. it has an inspired score, particularly in scenes before the interval. performances from sai pallavi and rakul offer the promise of a fully realized ensemble, but they end up stunted in sketch phase, as the post-interval act pivots into a suriya iconography