Put Isabelle Huppert in dark sunglasses and red lipstick, you have instant witchy, murderous intentions, a skill she deploys in White as Snow like a superpower.
Director/co-writer Anne Fontaine obviously saw Lou de Laâge dancing with wild abandon in The Wait, and thought to double down and have her do the same here twice. Arguably, this is also a superpower of the mesmerising ingénue, whose blend of Emmanuelle Béart and Christa Théret (certainly, she seems to be enjoying the kind…