Memories are like polaroid photos in reverse, gradually un-developing. Fuzzy reflections in the black screen of an unused television. They’re distorted half-truths, incomplete pictures colored by emotion and perception and time. It’s a flawed system but it’s what we have.
Charlotte Wells’ Aftersun is a film grappling with memory. It’s the story of a woman (Sophie) trying to remember and understand her father (Calum) by focusing on a vacation they went on when she was a girl. Everything we see…