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  • This Must Be the Place

    This Must Be the Place


    The perfect Sean Penn performance doesn't exi..

  • High Life

    High Life


    This review may contain spoilers. I can handle the truth.

    A government programme to send convicts into space on suicide science mission? Fine, I can roll with that. But I found it hard to believe in the power dynamics necessary to effectively scaffold any tension. 

    Lots of potentially interesting ideas to explore (the fuck box, the dog ship, raising a child alone in space) and I feel like it kinda chickened out on all of em.

  • Fugue



    Too crisp, cold and spare for my liking, both visually and in its performances. This is compounded by it being set in a fancy but soulless modern house in the middle of nowhere.

    There's a scene at the midway point in a bar, as a pop song interrupts the otherwise threadbare soundtrack, where some sort of feeling emerged, but sadly it wasn't long before we return to whispered monotone in high-end kitchens.

    Adore that poster though!

  • Drift



    the more conventional scenes didn't really hold up, but the ocean stuff was absolutely mesmerising.

  • Mask



    Sweet and odd in equal measure, while just about managing not to veer into abject sentimentalism. Big props to the most wholesome screen biker gang of all time and an outrageously hot Sam Elliott.

  • They All Laughed

    They All Laughed


    Just watched this again it's so damn good

  • They All Laughed

    They All Laughed


    It's been a rough morning. My toilet exploded.

  • The Passion of Joan of Arc

    The Passion of Joan of Arc


    You'd have thought that the unrelenting intensity of the first hour would have prepared me for the last 20 minutes, but it did not.

  • Happy as Lazzaro

    Happy as Lazzaro


    This absolutely floored me. Had no idea where it was headed from one scene to the next. Didn't care for the final scene, but man, what a trip!

  • Ordet



    Profoundly odd, unexpectedly funny and utterly transcendental.

  • Us



    Half a great horror comedy, half a high concept expositionary bore

  • Targets



    Bogdanovich getting wasted and falling asleep next to Karloff was funny as hell.

    Kinda feel like Haneke straight ripped the psychotic boy-next-door archetype from this for Funny Games.