A factory worker: Where do you live? A gamin: No place - anywhere.
Chaplin boils it down in the last quarter. The human trapped in the machine, becoming literally a part of it.
A medicore documentary with good thoughts in it.
Jean: You see, Hopsi, you don't know very much about girls. The best ones aren't as good as you probably think they are and the bad ones aren't as bad. Not nearly as bad.
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Because whether Sturges's subject is marriage, politics, small town values, or Hollywood itself, his are films where irony and sweetness might walk arm and arm, looking for somewhere to be alone.