Maybe the most dismally enticing part about the world-building throughout ‘Her’, is the way this society is nearly unrecognizable, but mankind at an emotional level has hardly moved an inch. Somehow this culture is capable of building AI that’s (in every practical sense) indistinguishable from humankind, yet still find itself stuck in the same toxic relationship cycles.

Umm. Er.. y’all ever heard the word poignant, because uhh. I don’t know exactly but I’d use it here.

Eyes. That’s all the commentary I’ve got.
The EYES in this film, for goodness’ sake.

Paul Newman, George C. Scott, Piper Laurie, Jackie Gleason are a sensible ensemble in this rough’n’tumble, quasi-noir narrative, that lives and dies in pool halls and petulance.

The twinkle in Newman’s eye will never be out-twinkled.

Donnie Darko called, he said you can have the award for “Most Unexpectedly Charming On-Screen Depiction of Schizophrenia and Other Mental Health Disorders’. Said he had his time but it’s your shtick now...