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  • Mandy

    Mandy

    ★★★★½

    Our second journey into the stylization of 1983 and the surreal landscape that is the mind of Panos Cosmatos. The man who (during the Q&A after the movie) said that watching Scorsese's 'After Hours' as a child revealed to him how the camera can be used to push and pull the canvas like a brush.

    'Mandy' is a revenge film threaded with supernatural horror. But—not unlike 'Beyond the Black Rainbow' or who I can only assume are Panos' influencers and…

  • Interstellar

    Interstellar

    ★★★½

    Gorgeous film. Had to "release my brain" from getting hung up on numerous plot holes. Wonderfully creative story. Visually stunning. Hella long.