Les Rendez-vous follows Anna as she travels across Europe to show her films, but her career is only a backdrop to reveal the sometimes emancipating, sometimes deleterious effects on her personal life. No matter who she talks to or the subject of their conversations, the various settings in which they take place match the equally liminal and detached qualities of Anna’s mobile existence. These settings are, as Marc Augé describes, non-places, “a space which cannot be defined as relational, or…